Southern California is on fire again, filtering the L.A. sunshine through an apocalyptic haze, a burnished glow that is beautiful and malignant at the same time. I won’t be walking today, avoiding the layer of ash that has fallen overnight, blighting the suburban oasis that is my sanctuary, my home.
It makes sense that I chose to spend the day indoors. I won”t speak for all, but these last months of chaos and quarantine finally forced me into retreat. I don’t know if self-preservation is a last-ditch effort to sustain a sense of inner peace, but avoiding fear, anger, and other negative malaise is my true goal. I keep to myself because my penchant to speak frivolously is out of tune with what we are enduring as a nation and society. How anyone can stand the sights and sounds of an American “president” who insists on trolling the world through Twitter to get attention and spread his brand of lies, hatred, and instability is beyond me.
What I find is that I can’t bring myself to contribute to any dialogue surrounding politics anymore because I find my tenuous sanity threatened and edged towards collapse. I think the scarier truth is perhaps my years of misguided narcissism and self-absorption have been reflected at long last.
Perhaps years of continually promoting the false color and sound of the “Jorge Show,” which first exhausted my closest friends, has finally spent me.
Perhaps the years of living breathlessly to contribute overstimulated conversations about all things fabulous are no longer enough to hide the reality that I’ve worked too hard to cover up my truest self and hide it from the world.
Perhaps these months of stripping away the layers of my own corpulent body and emotional self down to the core are starting to reveal a better and healthier?
Perhaps I’ve finally made peace with the reality that no one should have to put so much effort into making themselves “interesting” to the outside world.
I won’t call it an epiphany as this process of self-discovery is still happening in real time. Most days are about clarity, others are definitely opaque. I’m at once eager to move forward and terrified to even make the slightest acknowledgment or move. I’ve had chili cheese fries and chicken nuggets. I’ve stumbled in communicating with people I love. I’ve slept way too long on weekends, avoiding any form of contact on purpose. Is it depression? Yes. Is it debilitating me like before? Not as much. The processes of wellness and its struggles don’t stall me, either. I just aim to make sure the next day isn’t about dwelling on the choices that are not wise and get back on track.
When I do feel able to absorb the outside world, I am able to to accept how we cannot act like these crises of late don’t involve us; they do. What crisis can do is reveal who we are, inside and out. Perhaps that’s why people choose not to incorporate themselves in these waves of change. Yet, change is inevitable. If allowed, it can carry us to a better plane of existence. That’s what I want to see in others and myself. To take the time to feel, react, and be moved to be better at living life.
I recognize that even this expression of thought appears to be an extension of the “Jorge Show” in many ways. That isn’t my intent. What I hope is transmitted, too, is how it is possible to look outward from our safety bubbles. It is possible to bear witness and respect the selflessness and sacrifice exhibited around the world, inspiring the many who choose to care and act in our best interests. It is also essential to bear witness to the subtle reminders that exist in between those moments. We need to keep an eye out for the beautiful lessons that still exist in this reality, despite the screaming heads and endless virtue signaling defining our era:
The little boy living with his parents across the street from me acts out his own Super Bowl moments daily by playing football alone. He is victor, cheerleader, fan, all in one. Completely unfiltered in his excitement, a team of one. I never see him play with other children, which doesn’t seem to faze him in the least. The joy on his face is unbridled and true.
The little girl I saw at the Mission Ave. Metro Line station during one of my daily walks around the neighborhood. She chose her moment to spin in place, smiling and laughing. The happiness of being able to move freely in the warm sun of a weekday afternoon in South Pasadena demanded that she throw her arms out and twirl around as her mother smiled with her.
The father and young son walking down the street near my home, taking their daily constitutional, I hope, enjoying the time together. Seeing the son put his hand on his father’s back, a gesture of such respect and love, nearly brought tears to my eyes. The father reacted positively, not negatively, looking down at the boy with a smile, the world’s most natural thing.
Garfield Park is teeming with natural life, families, birds, squirrels, children, older people, all basking in the breeze found in the shade when the sun feels merciless. Butterflies and hummingbirds dart in and out with purpose, reminding me of Dad whenever I seem them. Or, the little girl singing to herself as she ran across the lawns of the park. I live in a primarily white neighborhood, which is why I was heartened to see how many of these moments included people of color or mixed race families. It is the flip side of the burning rage that cannot be ignored, either. It is the balance that still eludes us.
I know it all sounds and reads a bit soft. I don’t care. The simplicity of it all, the humanity of such moments, gives me a reason to stop dwelling on past mistakes and present tense ennui.
The bruises I’ve inflicted upon myself for such a long time are less purple and painful, and yes, healing. Moving forward, I find myself pondering where do we go from here? What happens after the pandemic, the angst of unrest, and the demand for cancel culture finally abate? What will we become once the hashtag protests, election manipulations, disgusting conspiracy theories, and natural disasters stop long enough for us all to take a breath? How do we protect a state of mental grace when the roar of change and progress consumes us anew?
I take solace in knowing that many of us are all bruised fruit now, but we remain intact. We retain our sense of purpose and our commitment to furthering the message that we can better. I believe we can still nourish one another by skipping the judgments and accepting the flaws. We have to admit that we will never win over those who have chosen to ignore all that is right, just, and scientifically correct. We have to focus on those who teeter on edge, who will benefit from a guiding hand and an open heart.
And we need to take a moment to throw our arms out and spin whenever we feel the damn need. At least, that’s what I feel today.
In 1998, the great Hilary Clark encouraged me to step into the role of content producer/interviewer. To be honest, it felt more like a dare. I thought our publicity content was rather dated at the time, colorless and flavorless. This was during my tenure as a studio publicist at 20th Century Fox under her invaluable guidance. I took her up on the challenge, hired a crew and went to the Virgin Megastore on Sunset Blvd. to interview composer Mark Snow and television icon Chris Carter about their collaboration for “The X-Files” movie soundtrack. I never looked back. By 1999, I was responsible for the writing, producing, and interviewing of all content created by Fox International Theatrical Publicity. It was an unusual role as most publicity departments didn’t handle this task. They’d hire an agency and that was it. No, this enterprise was the result of vision and it changed my life in the process.
Much has changed over the last two decades, especially in this industry. I’ve changed, too. I used to be caught up in the false notion that I had to be a James Lipton-type. When I finally found my true voice, it was as natural as just saying, “Hi, I’m Jorge.” No adornment or overstating things, just simplicity and honesty. I gush, sure. I’m first and foremost a fanboy for all things motion picture. I was also raised on Regis Philbin, Merv Griffin, and Mike Douglas. I was also nurtured by Linda Ellerbee, Diane Sawyer, and especially, Charles Kuralt. It is a winning combination, where I end up getting hugs more often than annoyance or indifference from the people I interview. I take great pride in that ability.
Sure, I still make the mistake of giving a person the answer in my question. It is true, I never really mean, “Last question.” And, I can’t do a 20-minute BTS interview, not really. It usually ends up going over 40 minutes or more. In fact, the fearless crew on my recent project in New York coined the phrase, “The Jorge 20.” (I’m not offended, I swear.) Even this posting was just supposed to be a “Happy Anniversary” Instagram moment! But nooooo, I had to write a novel about “What it all means!”
I don’t always think I’m the best person for EPK because I have “big emotions” that fight against the rule of this job, which is not being visible. I’m not sitting at video village trying to butter up film producers for that next gig. Yet, I know I am visible when I sit in the chair and begin that next interview.
As BTS producers, we have 30 seconds to let talent know we’re not going to be looking for a “gotcha” moment or engage in any of the other bad behaviors that have been unceremoniously attached to this role. No one likes facing someone who just reads questions off a page. It also enrages me how still others make this process about themselves and NOT the movie or television show. The flip side is no better, where it is obvious the client or studio executives could care less about nuance and humanity. Their only focus is making sure we hit what’s been listed on a marketing brief or remain oblivious to interview at and keep their eyes on the ticking of an iPhone stopwatch.
Still, during these last 20 years, I’ve achieved more than even I imagined in this role. I continue to roam this country and world in search of stories that complement the profiles of some of the best and not-so-best films and TV series. The artists and cultural figures I’ve had the privilege to sit and interview over the years are as diverse and fascinating as I’d hoped, even surprising, too. My journeys have not just been about chatting with actors and filmmakers, either. Nobel Prize winners, best selling authors, pop stars, families seeking asylum, entrepreneurs, and public figures venturing into a different spotlight are all part of this story. Y ahora la narrativa también se cuenta en español.
Red carpets, rooms built out of black duvetyne, junkets at five-star hotel suites on several continents, storerooms, warehouses, falling lights, hurricane-induced blackouts on set, museum offices, desert gateways, hutongs, a Mexican prison with Mel Gibson, legendary and still vital film festivals, jungle spa retreats, jazz festivals, screaming fans, stern publicists pointing at a watch, colleagues bitching over why I have more time, planes, train rides, bus rides, a police ride-along with an armed consultant, noisy soundmen, diva DoP’s, recording studios, snowy man-made villages, busy city streets, country backroads, and everything in between. It’s been the good, the bad, the ugly, and the redemptive. As for my collaborators? They’ve been or become great friends, war buddies, some frenemies, but the numbers of role models, muses, and mentors are greater. Oh, the madness of this town defies anything you think you know or read. You cannot be part of this circus without having some sort of tale to tell.
I always wanted my own talk show and in many ways, this is like having one without people knowing who I am. (Although that dream still lingers.) What still excites me is knowing when I’ve connected with someone and they reveal more than just “the perfect soundbite.” It is when real emotion is present, whether laughter or tears, that I find the ability to want to keep doing this job. These moments of revealed humanity give me hope that we are all not living just for “the show.” These connections DO matter in this job, no matter how we continue to water down all the messages into a square box for 60 seconds or less.
Being a storyteller has been my goal since childhood. I’ve been bouncing back and forth between writing and producing for most of my adult life. It is rather telling that I am now grappling with the effects of a changing media landscape, which has even impacted the entire BTS/EPK medium. In this era of influencers and similar constructs, I worry about my true fate. Ageism is rampant everywhere. I went from Young Turk to Establishment in the blink of an eye. Maturity and experience are viewed by too many people in this industry as being expensive and even irrelevant. It strikes real fear in my heart some days. I do take great pride in knowing what looks and sounds real, though, and I know how to make people not fear the question or the conversation. It doesn’t matter if it’s in English or Spanish, either. It all has to count for something, even in a world where people think “fake news” is a real construct.
When I was recently sent the lead photo of this piece by Dave Nolte of Scratch Creative from a marketing shoot completed last June, I was at a low point. Losing Dad to Alzheimer’s in late February of this year left such a void in my life. I also found myself possessing a need for a second act. I felt so guilty and scared about this, which I’ve coupled with the tangible doubt as to whether I even want to continue this journey as a producer/interviewer. Then I saw the photo Dave sent me and I was instantly reminded of what I am capable of in this world.
Stories need telling by people who truly give a shit about an impactful and engaging narrative. Spin is not enough for some of us, nor is passing off HDR images and excessive font overlays as the “story.” The cynicism of thinking the audience doesn’t care is bullshit. We are in part responsible for feeding them this steady diet of lowest common denominator content instead of elevating them with material that nurtures the ability to pay attention and think!
I was taught and mentored by some amazing people to be a rebel in this town until the end, dammit. I am not the product of Affirmative Action or quotas. No one felt sorry for this gay Latino from Pico Rivera and said, “Aw, let’s give him a chance.” I didn’t complete my journalism degree, nor am I the most technically-savvy producer in the game. To be clear, I am here because I worked like hell to be in the room, even making some compromises that make me wince today. Dad always said the worst thing you can hear is “No.” I heard the negative and other choice words that did little to stop my trajectory.
The people that were a major part of my Hollywood career are no longer part of this industry or are facing an uncertain future, too. “The Jorge Show,” as I call it, has been a shared adventure. Period. I didn’t achieve this life alone. I carry their influence and teachings with me on every project, every interview. As long as people are willing to sit with me without reservation or fear, they will discover that they are in good hands and in the presence of a good heart.
And, yes, I’ll keep getting their attention first by sporting a great pair of shoes.
Here’s to 20 more years of “The Jorge Show” and conversations to remember.
**One of my most treasured moments, meeting Mexican icon Verónica Castro and the incomparable director/writer Manolo Caro for the Netflix series, “La Casa de las Flores” (House of Flowers). This was a true full-circle moment to treasure, the bridging of my American and Mexican selves as a content producer. Gracias a Netflix y Hari Sinn y su equipo por realizar este sueño.
If you know my family, you’ve probably heard the tale of “The Adventures of Dad, Jorgito, and the Golden King Tut Ticket of 1978.” It remains one of our favorite stories to tell because it has everything, laughter, drama, realizations about a child’s true nature, and mummies. It makes sense that it includes mummies since most Latino families pretty much embalm all sorts of moments they can drag out from its tomb now and again. It usually happens at a family gathering, especially during the holidays.
But I digress. First, a little context to the Tut connection.
From 1976 to 1979, the treasures found in King Tutankhamen’s tomb toured seven U. S. cities, including Los Angeles. The exhibition was a wild success, to put it mildly. “King Tut Mania” was the only pyramid scheme destined not to bankrupt the regular folk. It was as if a Cecil B. DeMille film had come to vivid life, seeing these treasures. The mystery, the glamour, the history! All of it on display and separated by glass. Angelenos lost their proverbial shit when it arrived at the L.A. County Museum of Art. About eight million Americans made the trek nationally to the “Treasures of Tutankhamen” when it hit their chosen cities. However, more than one million visitors were tallied in Los Angeles alone. (You know how Latinos love their gold!) And, I represented two of said entries at LACMA. Reasons exist as to why.
Dad was already caught up in the fervor. A factory next to his was manufacturing swag to cash in on “King Tut Mania.” He’d bring home such replicated artifacts as Tut’s funeral mask, a small statue of the goddess Isis encased in a lucite pyramid. Yes, these were factory rejects, but so what? It was so rare to see Dad get excited by such things, but his being a pragmatic man meant that he was obsessed with science and history. He loved truth and facts versus the fantasy of the abstract represented by fiction.
Tickets were sold out for the LA exhibition, but Dad was so proud when I was chosen to be one of the fifth graders from South Ranchito Elementary to visit with the Egyptian boy king at LACMA. It meant something to him that one of his family members could bear witness to this glorious exhibition of rarely-seen history.
A few weeks later, as the exhibition prepared its departure, Dad had this wild notion of heading down to LACMA to see if we swing two tickets. As he always stated, “The worse they can tell you is ‘No.'” So, we jumped into our aqua blue VW Beetle and made our way down Wilshire Blvd.
Mind you, Dad first sent me by myself to the box office to see if any cancellations were available. He waited in the car and I bolted up the steps to the museum entry. (I don’t think any parent would do that today. I was 10-years-old and Wilshire Blvd. was still a muy busy thoroughfare then.) Unfortunately, my this first inquiry did result in a “No” that held until I got back to the curb where I was to wait for Dad as he made a turn around the block.
As I kept a vigilant eye for Dad, I felt someone tap my shoulder. I looked up with nary a look of surprise to gaze at a handsomely dressed woman. She smiled this congenial smile and asked, “Are you trying to get tickets for Tut.” This wasn’t a “Stranger Danger” moment as she looked like she’d been to Bullocks Wilshire and that mattered to me then. Haha. I think I said something like, “Yes, ma’am. But there aren’t any tickets.” She then reached into her pocketbook and pulled out one of those Golden King Tut tickets from her pocketbook.
You could almost hear an angelic choir at that moment. I went’ from a “No” to a shocking “Yes!” Fortune really favors the child left alone on a busy street, dammit!
“My friend isn’t able to make it, so why don’t you take it,” she said.
I wish I remembered more of that exchange because all I know is after saying “Thank you, ma’am!” I took a good look at that ticket just as Dad pulled up to the curb. I do remember that I was too excited to enunciate, “Dad! I got a ticket. Look!” Dad smiled this huge smile.
Then I said, “I’ll be right back. I’m going back in!” And boom, I was off!
Oh, how my family and I discussed the selfishness. The lack of awareness. The utter glory of my young self-absorption! For years! Reflecting on that moment now, I know my Dad would have never left me in the car while he walked through the exhibition… again. Although, he did leave me to my own devices at the ticket office. Whatever. The important thing was for me to say, “Dad. Here’s the ticket.” For him to decline it would be a lesson in how we sacrifice our own needs and feelings. (Orale, Latinos católicos! Guilt starts early!) Haha.
Well, it is kind of true.
I do remember Dad’s dejected look as I turned and walked away. When we got home, I remember the silence in the car. I knew I hurt him a little. Once home, I also remember hearing Mom and Dad talk about my brazen nature, my incredible luck, and my brazen nature again. It was followed by laughter, but I knew I disappointed them. Hell, I’d live to disappoint them again and again, but this episode remains my favorite since it carries a better layer of charm and innocence.
In the end, we both did get our chance to share the Tut experience in 2005 when “Tutankhamun and the Golden Age of the Pharaohs” made its appearance at LACMA. This time, the entire family made the trek to Wilshire Blvd. Of course, that adventure is marked by Mom saying, “Hmmm. This looks smaller than the exhibition your father and I saw in Cairo. You know, in Egypt.” (Hahaha. Yes, we’re THAT family.)
In the end, my globe-trotting parents did venture to the land of Pharaohs to get a singular view, first hand, to the wonders of Tut and more. As much as I envy them, I am also proud of my parents, who took their vacations in places far and further away. They were our first guides, showing us the way to see the world as a source of adventure. We were meant to leave our backyards to see what doesn’t have to exist in a museum brochure. As a result, we’ve created our brand of history, too, and I love that.
It’s wonderful to see our family history repeating itself as Tut has returned to LA yet again. It’s been 100 years since Tut’s tomb was discovered, thus the largest exhibition of artifacts ever will be touring the world to honor the occasion, perhaps the last time they will ever be seen outside of Cairo. Los Angeles was selected to host the world premiere of “King Tut: Treasures of the Golden Pharoah” at the California Science Center. Of course, my family and I made the journey yet again and yes, the day is sold out. However, due to Dad’s current health issues, he won’t be able to make the trek to the California Science Center with us. Mom and Neto were also down for the count due to having colds.
My family and I know we don’t need a reason to celebrate the 40th anniversary of “The Adventures of Dad, Jorgito, and the Golden King Tut Ticket of 1978.” It is a bummer to note that glorious golden mask can no longer leave its home in Egypt. It just means our spirit of adventure will take us to the heart of the Nile, see the pyramids, and give them our best from our parents who stood there in awe and joy so many years ago.
This is such a powerful full circle moment nonetheless, one I will share with Poppadoodles when we return from our visit with El Rey Tut. I am reluctant to write more now as I feel tears building up. I have so much more to say to Dad from “Remember when?” to “Thank you” to “You were so right!” That’s a conversation that has to happen sooner than later and time is no longer on our side, I’m afraid.
As my family and I take in these treasures anew, I can’t help be reminded of the beauty of history. Wherever these essays may rest long after I’m gone, I hope people will appreciate the love and respect that remain the hallmark of my Dad, as a parent and a human being. What I hope is also unearthed years from now is that our history as father and son, and as the Carreon Family as a whole, was a precious one indeed.
In my first conversation with President Trump on Inauguration Day, I thanked him for the positive things he had said about the Dreamers. He looked me in the eye and said: “Don’t worry. We are going to take care of those kids.”
Despite many of the terrible immigration policies this Administration has put forward, I have always held out the hope that President Trump would keep his word and “take care” of the Dreamers. After all, the President told America, “we love the Dreamers.”
But today’s announcement from Attorney General Sessions was cold, harsh, threatening, and showed little respect, let alone love, for these Dreamers.
Starting this countdown clock will require Congress to act fast to stop rolling mass deportations of hundreds of thousands of young people—students, teachers, doctors, engineers, first responders, servicemembers, and more. Families will be torn apart and America will lose many of our best and brightest unless Republicans join with Democrats to right this wrong immediately. I first introduced the Dream Act sixteen years ago to ensure these young people could stay here, in the only country they’ve ever known. Now Congress must act on this bipartisan bill, and act now. These families cannot wait.
— A statement from U.S. Senate Democratic Whip Dick Durbin (D-IL), ranking member of the Judiciary Subcommittee on Immigration.
The intent of the Deferred Action for Childhood Arrivals (DACA) policy signed by President Barach Obama in June 2012 was to allow undocumented immigrants who entered the country as minors to receive a renewable two-year period of deferred action from deportation and eligibility for a work permit. As of 2017, an estimated 800,000 young people, also referred to as “Dreamers” (after the failed DREAM Act), enrolled into the program. As for September 5, 2017, DACA is no more. Now, they face an uncertain future, whether they enrolled into the program or are no longer eligible for its protection.
Living in fear as an undocumented individual is just one of the many realities faced by millions of people living in the United States today. Historically speaking, to be an immigrant is to be responsible for all the societal ills and woes of a nation. We’ve seen what humanity can do when it vilifies and turns against “The Other,” that group of people who become the target of genocides and “final solutions.” How anyone can venerate such monsters, as witnessed in Charlottesville, Virginia last August is beyond the pale. Yet, we have only begun to see the ramifications of a president who has inspired those living with white privilege to exact a sense of revenge, of taking back a country they feel has gone to the dogs. That’s what many of us are to certain sectors of America, animals unworthy of being deemed human.
Since Trump took office, he’s made an art of playing to the cheap seats, that coterie of angry trolls sporting those damn red caps with the legend “Make America Great Again.” His propagandist rhetoric continues to target journalists, Women, the Muslim community, Black Americans, the LGBTQ community, the Latino Community, anyone who just isn’t white. He targets anyone with a brain able to deduce just how dangerous his screaming brat mentality really is for us all.
Trump wants to be worshipped, not challenged, even by those he chooses to marginalize. He demands your respect, although he’s done nothing to earn it. To challenge him is to stir his pitchfork mob of fans while most the members of his political party of choice opt to stick its head in the sand or stay silent. All fear to lose their moment of power, even if it means sacrificing the greater good of the nation. I often wonder who will stand up for anyone if most of the nation is excluded from the bullshit Trump country club our president and his acolytes have chosen as its manifest destiny for our nation.
Our most treasured national icon, the Statue of Liberty, is an ageless beacon, offering shelter from the storms of inhumanity elsewhere. Trump has turned our borders into the frontline of class and racial warfare, its motto is “Keep Out. You Don’t Belong Here.” If we are now known for turning people away, mercilessly deporting the rest, how will that not stop the war on terror? How will it not inspire new groups to target this great nation with their own brand of wrath? We cannot keep punishing the many for the sins of the few who refuse to honor decency and peace.
This entire nation owes its very identity and soul to the millions of other immigrants who have risked life and limb for decades to secure a better life for themselves and their families. To believe otherwise is absolutely un-American. Perhaps if those who fear “The Other” understood that not everyone who dares to call America their new home is a criminal run amok. Perhaps they need to be reminded of the ones who come here for a specific reason, to find their version of the American Dream. Like my parents. Like many of my friends’ parents and families. Who knows what immigrants can offer this nation in terms of innovation, inspiration, and beneficial to us all lucky enough to be citizens of the United States. Perhaps they need to know that not everyone who comes here is looking for a handout or abusing the social welfare system. I offer one reminder for your consideration.
In 2005, writer Joshua Davis penned an extraordinary article for Wired Magazine chronicling the lives of four undocumented teen boys from Arizona. What made them unique? They bested universities such as MIT and Harvard to win a robotics prize at UC Santa Barbara. Titled “La Vida Robot,” Davis’ meticulously written story of Cristian Arcega, Lorenzo Santillan, Luis Aranda and Oscar Vazquez’s journey to victory was truly the stuff of Hollywood films. A decade later, that film, rechristened “Spare Parts,” was produced.
Directed by Sean McNamara and starring George Lopez, “Spare Parts” benefited from the momentum of the early DREAM Act (DACA) era, when the Latino voice had never been more urgent in terms of our national narrative. While the film relied on the “feel good” tropes of the underdog story, it did not shy away from the fact that these “illegals” are not the enemy in this ugly, paranoid era of fear mongering and reactionary politics.
I had the privilege of meeting journalist Joshua Davis and the real boys of Carl Hayden High, interviewing them and their cinematic counterparts for Pantelion Films. Along with producer and star George Lopez, they first expressed the importance of the Latino imprint in terms of mainstream films. However, their ultimate goal was to not only provide quality entertainment, it was to also illuminate an essential community still undervalued or unfairly marginalized by some Americans.
“Spare Parts” opened in January 2015, renewing attention on the lives of Vasquez, Arcega, Santillan, and Aranda. Over the course of a decade, the group from Carl Hayden High School inspired countless newspaper and magazine pieces. Writer Davis followed up his “La Vida Robot” article with a book, also titled “Spare Parts,” catching up on the lives of the boys. Director Mary Mazzio was inspired by the Hayden students to create the documentary “Underwater Dreams.” The quartet was also included in “Dream Big,” an IMAX feature-length documentary about engineering achievements. Even the team’s famed robot Stinky had its moment when it was put on display at the film’s premiere at the Smithsonian.
“When Mexico sends its people, they’re not sending their best. They’re not sending you. They’re not sending you. They’re sending people that have lots of problems, and they’re bringing those problems with us. They’re bringing drugs. They’re bringing crime. They’re rapists. And some, I assume, are good people.”
Yet, with all the attention and praise for their underdog story, life after high school for Vasquez and several of his classmates has not been without its complications. As of 2014, Vasquez was able to secure his American citizenship after a challenging decade that saw him return to Mexico at one point. His return to his homeland meant a 10-year ban of re-entry to the U.S. It was or the assistance of Senator Dick Durbin, D-Ill., who helped overturn the ban, allowing Vasquez return to the States with a visa. Enlisting in the U.S. Army, Vasquez saw combat in Afghanistan before returning and finishing his college education. Now a U.S. citizen, he and wife Karla moved to Texas with their family, where he works in an engineering-related job with BNSF Railroad.
Aranda was already a citizen when the team won the robotics contest. Arcega and Santillan both attempted college careers but ultimately were forced to drop out due to the changes in Arizona state law that required all students without legal status to pay out-of-state tuition fees. Today, Santillan runs a catering company with former classmate Aranda, appropriately called Ni De Aqui, Ni De Alla. Translation? “Neither from Here Nor from There.”
“The Making of ‘Spare Parts'” featurette produced by Jorge Carreon @ Monkey Deux, Inc., edited by Steve Schmidt and Drew Friedman for Pantelion Films.
The effect of this unilateral executive amnesty, among other things, contributed to a surge of unaccompanied minors on the southern border that yielded terrible humanitarian consequences. It also denied jobs to hundreds of thousands of Americans by allowing those same jobs to go to illegal aliens. —
From U.S. Attorney General Jeff Sessions statement on the Trump Administration’s rescinding of DACA, September 5, 2017,
As of September 2017, the more than 800,000 undocumented children brought to the U.S. by their parents are awaiting the other chancla to drop now that “President” Donald J. Trump has announced the end of DACA. Its effect will be catastrophic, breaking families apart and ending opportunities, like finishing an education or gainful employment, that have been hard won. What we stand to lose as a nation, however, is on par with a lobotomy.
The hope generated in 2012 when President Barack Obama signed this bold piece of legislation into effect was designed to protect them from a growing sense of paranoia and fear stoked by members of the GOP, and especially, Trump. They don’t know who are the Dreamers affected, nor do they care. Trump’s campaign engaged classic fear-mongering tactics, stoking the fires of intolerance with his supporters. It didn’t matter if the facts were true or not. The lack of employment, our border safety, our homes, our lives, we were all under attack by this scourge of evil from Latin America or elsewhere. We smirked that Trump could never be elected on such a brazenly racist and xenophobic platform. No one was laughing as the election proved otherwise. Now we have the sound of fear and it is palpable. (That American-born Latinos even voted for him because they deemed “her” unpresidential and untrustworthy is a testament to self-loathing that deserves its own essay. I say to them now, “Look what you’ve done to your brothers and sisters in blood. Shame on you.”)
As the child of immigrant parents, I am beyond angry. As an American citizen, I am ashamed. I wasn’t raised to hate people. I was raised to believe in the innate good of humanity, because good can flourish, even in the direst of times. Yet, to be told that I’m not good enough to be an American because of my Latino heritage or my sexuality is enough to make me want to take up arms. This is not the America that raised me and I’ll be damned if I let it harm anyone else out of fear and intolerance. What Trump offers is not the American Way. It is HIS way. That’s not good enough, not for this beautifully diverse nation.
Immigrants are not here to eradicate white history or white privilege. Nor are they here to tear this country asunder. That is a total lie to keep the status quo of xenophobia. We excuse the horrors of white terrorism, but movements like Black Lives Matter are deemed dangerous, inspiring legislation to declare such movements as being illegal.
American history was never just white. It is every color and creed and orientation, no matter how hard people try to obfuscate it. We are at a crossroads that will have consequences for generations to still to come. What we lose by excluding the many undocumented individuals now forced to live in the shadows again won’t be felt immediately, but it will be felt. Nothing stirs up a public more than paying for the poor decisions of our leaders. And we will pay for the loss of DACA is many ways, socially, morally and economically.
We are deporting the wrong groups of people. To be silent is to be complicit in this cruelly interminable series of unjust and un-American traitorous political acts. If we continue down this path of eradicating those deemed unworthy of citizenship, we will cease to be the United States of America. We will become the Dishonorable States of Trump, a soulless and rudderless nation offering nothing but a smirk, hatred, and violence to the world that once looked to us for guidance, protection, and inspiration.
**Now that the DACA program has been shut down, here is a breakdown of the Trump decision and what people should know:
Some DACA recipients won’t lose their DACA on March 5, 2018: People who have DACA now and whose DACA doesn’t expire until after March 5, 2018, will continue to have DACA and the work permit that comes with it until the expiration date of their DACA.
It’s too late to apply for DACA: The president ended the program so from Wednesday (September 6) on no more applications for DACA are being accepted.
A deadline that shouldn’t be missed: People whose DACA expired Tuesday, September 5 or will expire Wednesday, September 6 through March 5, 2018, can renew their DACA, but they must apply by October 5.
The ball is in Congress’ court – or Trump’s?: Between now and March 5, 2018, Congress can draft legislation to revive DACA, come up with a substitute or even do away with what the administration has put in place. Some opponents of DACA disagreed with the program being authorized by the president but may support a congressionally created program. Late Tuesday, Trump tweeted that he may “revisit” the DACA issue if Congress doesn’t act.
Legal challenges could play a role: There’s always a possibility of a court case. President Donald Trump came up with the DACA phase out plan under threat of legal action by a group of state officials. A young immigrant and immigration group filed a lawsuit in New York Tuesday challenging Trump’s action. There could also be discrimination lawsuits as a result.
Alright you big city gays. Tell me if you ever had a day like this:
He was a family physician of Lebanese/Pakistani descent, based in Hollywood. It was a Tuesday morning. I was walking on the last temperate day in June to the location of a marketing photo shoot. As I gathered up my best publicist persona together to brave the Hollywood types ahead, I heard the all-too familiar “ping” from Scruff, instantly breaking my stride.
At last, a gentleman caller!
I was pretty sure that you could see the spark of hope firing up and surging to my brain at this moment. Ever since I shaved my beard, I’ve heard that Scruff ping less than 0.00 times. Just like that, I went from extraordinary Dad Bod Man to….ordinary.
The exchange was rather easy. He didn’t have a photo attached to his profile, a HUGE no-no in app etiquette. Most men won’t even consider responding to you without a photo. Sometimes, the snark in these profiles about not having a pic is enough to make you leave app life altogether, but stay with me here.
He sent one pic, looking slightly like Robert Foxworth in “Airport ’77.” Just slightly, mind you, but it was rather sexy.
The chat escalated to from the “Hello, why no pic?” to “Are you on the down low?” to flirty innuendo to “Let’s meet up!” Nothing unusual here as it was the standard trajectory of most of app-based conversations. Half the time they’re just wanting to play a game of naughty show and tell before disappearing into the ether altogether. However, things were looking promising with the Doctor. Then we had this exchange:
HIM: Are you submissive?
ME: Psh. Fuck. No.
End of communication.
Yeah. That’s how we meet, greet or run in 2017.
I can’t help but think about the famed “network” scene in the 1970’s cult movie “Logan’s Run,” where the hedonistic denizens of a futuristic domed city put themselves on a network to indulge their sexual whims and appetites. Yeah, it’s a lot like LA living, where everyone is forever young until they hit 40 and they are promptly cast aside.
When it comes to the gay dating apps, the airbrushed glory of being abs-olutely buffed, bearded and butch remains the standard. Yet, given the frequency with which you see the same faces on these grids over and over again, it appears that no one ever seems to be any closer to becoming paired or even connected. Add the insidious ageism of a culture that led the charge on being “The Body Beautiful,” it is a challenge to remain marketable if you are single. More, with many homosexual tropes now appropriated by heterosexual men, some of us are playing “Gay or Hipster” to pass the time — or stop from crying as to why no one is looking our way. Of course, I exaggerate. But since the digital age has turned the Thunderdome of dance clubs into a distant memory, I have to ask. As we swipe ourselves into a dehumanized oblivion, is it time to start championing being ordinary?
The brutality of perception and appearances within the gay community is not lost on many of us who came of age chubby, in love with showtunes and trend-setting fashion. We never really fit quite in with the greater pack, but we were also counted upon as that “funny friend” who made the Beautiful Ones feel human and cherished. For the longest time, I felt the Bear community was the most inclusive, a hirsute den of outsiders who eschewed the “WeHo” culture, a safe haven from the self-adoring Narcissuses of Santa Monica Blvd. But even the Bears have their own standards of hyper-realized beauty in an era of being a “Bearbie” or a “Bearlebrity.” Worse, as we dare to live our free, out lives in an America that want us to hide in our closets again, we have taken self-loathing to a new level. Take a look at this old insult, now available for purchase.
No Fats. No Fems.
Yeah, it pays to advertise your own biases these days, even “ironically.”
As I face turning 50 in a few weeks, I find myself wondering why the fuck I even try to make Scruff an option to make my way out of the “Single” column anymore? But there isn’t a Sweater Queen site, dammit. Haha. But the idea of size shaming and ageism is very real to many of us. The criteria as to what makes a man is just as challenging whether you’re gay or straight, more so than ever, I’m afraid.
Desire is a powerful motivator and beauty means different things to different people. But as we mass market ourselves on Instagram to garner attention, we have yet to learn how to truly cultivate a sense of individuality or identity. It’s hard enough to see what tricks young people implement on social media to not upset the herd. It is even more disturbing to see the middle agers subscribing to the same agenda. The many filters employed by all are a desperate attempt to stave off looking unpretty or appearing old, ignored and not liked.
What is wrong with not looking like a “Bearbie” or a “Hadid” or any of the icons that speak for our era? For such a “woke” age, why are we still holding on to the labels, both material and socio-cultural so hard? What are we afraid of? Being left behind? We have bigger issues to face as a society right now than not “fitting in” or being datable or even fuckable at this point.
We’re all just looking for connection
Yeah, we all want to be seen
I’m looking for someone who speaks my language
Someone to ride this ride with me
Can I get a witness? (witness)
Will you be my witness? (witness)
I’m just looking for a witness in all of this
Looking for a witness to get me through this…
— From “Witness” by Katy Perry
It is a human necessity to being seen and heard by someone who cares. We all want a witness to our lives. While the motivational speakers will pontificate on how we should start by loving yourself, embracing our flaws, to grow with love, et. al., the reality is that many of us are tired of being made to feel invisible. Many of us DO love ourselves or else we would never be connected to friends or family.
As for those who truly feel alone, that goes beyond the parameters of this thesis. I was once in that category. Alone, desperate and pondering to remove myself from this space altogether. I credit the therapy and anti-depressants I take to help me find the focus as to what it is I am capable of doing as a singular, ordinary person. I have a voice and a strong desire to articulate that which ails me. Because I know I am not alone in the pursuit of life, love and happiness in this fucked up world. Because I am proud of the man I’ve become. It may not be the man that’s in demand in the marketing sense, but then again, I once didn’t care about following the pack, either. Being socialized did that to me and I would remedy that in a heart beat if given the chance.
Yes, it sucks being single. For me. And I still think the possibility of being paired up again is very real. What is also real is the possibility of not finding that partner in life and that’s okay, too. A second act to my life is slowly revealing itself to me, a narrative of my own design that may not always make want to jump for joy some days. However, it is not keeping me eternally morose either. It is exciting knowing you can change, that you can evolve into a better version of yourself if you just pay attention.
Perhaps “Ordinary” is not the word for people like me, because we aren’t really. Even the moniker of being an angry, hungry, fat, gay Mexican is more about humor than a political statement. Perhaps a word doesn’t exist for us at all. It is more of a feeling of being empathetic, of giving a shit about people, despite their ridiculous flaws and hubris. But, f I had to choose a word or two? I’ll just say “I’m Jorge” and let that speak for itself.
“A very simple statement A very simple crime A lot of grief reflecting in how we spend our time I want to change things I want to make a change I’m tired of spending time agonizing yesterdays”
— From “Shame” — Written by Martha Davis, Performed by The Motels
What’s your secret shame? You know, the thing you do when no one is looking?
What is that one vice or action you judge yourself for the most when you look in the mirror?
That loss of control we feel when we indulge in our secret shame is on par with an electric burst of adrenaline. It’s when you let a sly smile cross your face, that sweet release of euphoria when you reach that peak moment. It is a high, one that seduces you to keep going back again and again for another hit. And it is always followed by your telling yourself, “This is the last time” or “Starting June 1st, I’ll get back on track!”
But you don’t. Because all you want to do is indulge in that behavior you’ve let overwhelm your sanity and self-control. Because it feels that bloody good.
Initially, this essay was going to be titled “Failure,” but I thought better of it. Shame can be overcome. Failure is a trap that can keep you locked up in a zone comprised of a darker shame. It is when you just give up and when it comes to addiction, you can’t just give up. It is a dangerous path, one that can have longterm effects and consequences.
I know I can’t reverse the decisions I’ve made during these last weeks. I can’t blame Fatlanta anymore. I’ve been home for nearly two weeks, embarking on a new project that is taking me to Vancouver. I cannot un-eat the food I’ve been attacking with unsteady hands of late. It’s been consumed and absorbed. I can only feel and see the effects daily and that sense of shame is now one that has me staring at the mirror with anger and disgust.
In six weeks, I am turning 50. While the excitement builds to this milestone, I have a few outstanding narrative threads that have yet to be resolved. The biggest one? Being a total bully to myself when it comes to this issue of food and wellness. Yet, instead of allowing the excitement of this milestone to lead me to a stronger place, I am a woeful mess right now. I can feel the anxiety throwing me off balance. Anger is present where hope should be right now. It is roiling the sanity I have worked so hard to reconstruct, letting frustration and outbursts of emotion spill out and over without warning at times.
I’ve been battling over what is keeping me in this dark space, but the source is both personal and social. The first layer? I didn’t think I’d be living the life of a gay spinster, locked away from potential suitors like Catherine Sloper in The Heiress or Laura Wingfield in The Glass Menagerie. I am probably skirting closer to becoming Miss Havisham in Great Expectationsnow. I held a torch for Tucker so long, I developed muscles in my arm I didn’t know existed. Yet, after seven years, my self-made prison isn’t so much the pain of leaving him behind when I did. Not anymore.
The damage I inflicted on myself over Tucker pales in comparison to what I’ve let take its place. The new layer is playing caretaker, scratch that, enabler to someone who has yet to understand that being an eternal dreamer doesn’t create a dream life. It is the most selfish way to live, keeping people in a state of stasis until YOU figure YOUR shit out. It is cruel and unforgivable. Anger is holding up my house of late. Anger and self-defeat to be exact. And it is punishing everyone around me, keeping most us from reaching new destinies in the name of “family.”
I hate feeling lonely and rejected, but the pitiful attempts of my meeting men are merely my picking at an old scab. It fills me with a different shade of shame because I am still in my prime, dammit. I should not have to fear my sexual self, much less repress it. Yet, because I can’t control the anger I feel, I have opted to rebuild the prison in which I’ve locked myself away. I’m getting heavier, covering myself up again. I am returning to the protective embrace of comfort foods because I want to feel the warmth of something loving and familiar, even though I am well aware of the only outcome of this reunion. I am angry that I don’t have a relationship to assure me that “It’s going to be okay.” Dammit, I don’t want to be fixed! I just want to be reassured by someone’s care and open heart. And that tender kiss, elusive and beautiful, has never felt so out of reach to me.
Layer three? It is bad enough we are living in a world without grace or accountability, where shamelessness has replaced decency and compassion. All we do is rip each other apart with lies, innuendo and avarice. We speak in tones of violence because we have to be heard above the din, leaving a body count as proof of being heard. We have leaders who spout the most reprehensible things for attention and justify their destruction of all civility.
We denounce political correctness as being the enemy of a tottering state. The demand of restoring decency and peace is not being “PC.” We are surrounded by varying degrees of terrorists, all of whom think they are just and fighting a holy war built on a religious dogma that can only end in death. That’s the biggest, ugliest shame of all, forcing your will on billions of people who just want to live without fear!
As I near the end of this post, I feel a different kind of shame. How can I wallow in my own self-pity when so much is off balance in this world? I can only say, I am no less flawed or confused as any other human at the moment. Yet, I can scream into this void, a blank page onto which I can spout all that ails me on the inside right now. Clarity does take form as I let this my thoughts unravel and let my insanity release its stranglehold.
Perhaps we all need to understand what shame means again.
Perhaps we all need to remind ourselves that accountability takes more strength than merely Tweeting obscenities and lies or shoving world leaders out of our way for a photo opportunity.
Perhaps we need to stop letting our fear keep us from turning away from the woes of our world because it is too hard and what does it matter anyway?
Perhaps I need to put down the fork and take a long look at the person struggling to become better and stronger again.
Perhaps it is time to stop being a coward and start loving the one person who has designs on making a difference, not use depression as an excuse to keep my addictions alive. What good am I to the rest of the world if I can’t withstand that which is within my power to fix and heal?
I know I can’t get better alone. None of us can. Neither can this planet. Shame is not always a bad thing. Shame can also keep us from making the same mistakes over and over. Not because failure or flaws are “bad,” because we must let what is “good” about ourselves cast a light to help other lost souls find their way back to the group, too.
People have become quite adept in finding new ways to peddle their brands of hate, which will only succeed in making the world a lot sicker and dangerous. But to combat this sinister world order, we have to believe in the good within ourselves again. Therein lies the need for empowerment and education! To stay in this state of isolation would be more than a shame, I recognize that. No more agonizing yesterdays. It’s exhausting and self-defeating. Perhaps it is high time I learn to love locally, then act in the name of goodness…globally.
And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
– From “Come Go with Me” (Lewis A. Martineé), performed by Exposé
I’m going to set the origins of this little journal entry to the past on the sodium bomb from the Slurpin’ Ramen Bar consumed in April in Koreatown. (Excellent place, fyi). Yeah, I did feel a little “up” afterwards. Also, I was correct in predicting that my date for the evening was going to cancel on me –again — so it is better to shift focus onto something a bit more joyful and avoid the desire to man bash. I was truly bloated, bothered and bewildered, the perfect state of mind for journaling!
It’s taken me awhile to shape this into something worth reading and I’m still not sure if I’ve cracked the code. I have to give credit where credit it due. Earlier this spring, my sister NanyG, sister-friend Helen and I were in the midst of another hi-larious confab, this time at the Pico Rivera Shakey’s Pizza, a cherished location located within our shared cradle of youth. It was a carry-over from ANOTHER HelJor outing (as we refer to ourselves), this time with our childhood compatriot, Anne. And yes, if you’re a member of those days at South Ranchito Elementary/Meller Jr. High/ERHS, we probably DID talk about you.
What I love most about our get togethers is the chance to look back with a clearer vision as to what it was to come of age in the 1980s. Some of the focus is starting to slip into a tepid glow as we have move on through our teen years into our sure to be golden era of 50+. (Well, I can’t speak for myself. I remember way too much, but surprised to know how much I never saw what was often going on right in front of me. I see the roots of my self-absorption are very much showing.)
Being a teenager. Oh, that’s a weighty subject. (Zing!) The pudding days of Meller, when I was stout, pimpled and experiencing a woeful state of style were replaced by something a lot cheerier, leaner and taller by the time sophomore year began at El Rancho. Sitting here with my lap top, it makes me smile to understand how the realities of life’s experiences hadn’t yet taught us how to deconstruct or process our motivations. Everything was so AMAZING until your find out years later that it wasn’t. The struggles we deal with as adults are variations of those classic adolescent tropes. We were the last of the Breakfast Club generation, spicier incarnations of the Princess, the Athlete the Criminal, the Brain and the Basket Case. In some cases, we were probably all five.
Some of us were wonderfully clueless. Others were – and, surprise, remain — mean girls and boys. We had our groups, our nicknames, our juries, our judgments, our hierarchies, our first loves, our first pains. And as divided we ultimately became as life lead us to our chosen paths, for a small group of us, we remained steadfastly united during the 12 years we followed each other to the edge of 18.
The time isn’t ripe yet to pen that “Whatever Happened to the Class of 1985,” but it is starting to germinate. Something happened to me during that transition years of childhood. I first embraced my peculiar sense of being a boy, only to quickly shun it thanks to bullying and the inner shame felt as a teen. I hate that it happened at all, compromising my true self in the vain attempt to be liked and popular.
But that’s a story for another time.
Right now, I want to remember what it meant to be young in Pico Rivera, where youths were a microcosm of the bigger trends happening inside of LA and out. Everyone had their fiefdoms of rule within the school and outside the city limits:
Poseur Cali Preps
The mods were growing in numbers as Madness and The Specials dominated the powerful KROQ playlists, stealing club time at Marilyn’s in Pasadena.
The punks were a smaller contingent, but followed X and Black Flag to Madame Wu’s in Santa Monica.
Poseur preps, the ones that had turned up collars along with their classist noses had the most money, bigger houses to match their attitudes and Atari consoles.
The heshers, most of whom were in band, were a fiercely loyal bunch that sported their KMET and KLOS stickers as badges of courage and pride.
Urban surfers held fast to their Jeff Spicoli uniform of Vans, OP and Lightning Bolt shorts.
Morrissey. Enough said.
As for the rest of us?
It was a sea of teen dreams and mall made looks. Girls had their fast fashion trends of jelly shoes, bolero hats, plastic purses and other styles culled from department stores or Judy’s, Contempo Casuals and Miller’s Outpost. God, those damn belts that rivaled the WWF championship bling! Some tried to rock the Mod look with tights that had the feet cut off under long tartan skirts and flats, but it rang false. Maybe it was because feathered hair can’t ever replace an asymmetrical bob?
The cookie cutter style of the boys was laid upon a foundation of Levis jeans, tee shirts and jean jackets — then and now. Jocks will never die out if letterman’s jackets are still able to be earned. My memory can’t seem to fill in the blanks here, an era where the Metrosexual, Lumbersexual and Hipster styles would eventually blur the lines of masculinity.
However, one group reigns supreme in my mind when I look back at that time now. I can’t help but smile at these style rebels of my teen years:
CHA CHA GIRLS!
I’ll never forget these hothouse flowers that found access with fake ID’s to such playgrounds as the Florentine Gardens, the Red Onion, Black Angus, Pepper’s & Wings, as well as private parties and any other place they could hold court to the tune of Exposé, Debbie Deb and Stacey Q. They rolled around in packs, each with their own special markings of bangs, spider lashes, streaks and nail tips. They oozed a female sexuality that was true power, which sometimes moved faster than they could understand or control.
(Fun Fact: Exposé lead singer Jeanette Jurado is a former El Rancho Don! Class of 1983. Represent!)
This is one group John Hughes would never include in his white bread parables of teen life. These girls weren’t always pretty, but they loved pink, the brighter the better. They played fast and loose with the rules of the time, carving out their own niche as the 1950s ideal of adolescence began its hasty decline.
How I loved these ladies, feathered, streaked and war painted, wearing heels that were higher than their standards, all squeezed into Technicolor fabrics that stretched with the blind optimism of looking good! I always viewed the Cha Cha aesthetic as a rebellion against the leading tropes of the era. These Latinas were way ahead of the Kardashian brand of flesh as fantasy and in your face womanhood. They were always named Letty, Lorraine or Denise, Nena, Pebbles or Candy. Sometimes you had a Monica, Yvette or an Andrea. Given the immigrant culture that was the foundation of aspirational Pico Rivera life, you might have a Socorro or Maria Delilah in the bunch, but she was always the one you made call her much cooler older brother or sister when shit got real. (“Shut up, Socorro!” could be heard whenever she offered the single voice of sanity.)
The soc’s (the popular girls) looked down on the Cha Cha’s as being trashy, but like all things unbridled, jealousy motivated their feelings. Hallway chatter about some of these ladies was nothing short of salacious gossip, especially if their boyfriends were jocks. This could explain why many of the Cha Cha’s of my era opted to date outside of the El Rancho walls.
Every Friday of my first year at El Rancho, or “The Ranch,” was littered with invites to the weekend’s parties. Mass printed flyers, emblazoned with Nagel girls, were events sponsored by mobile DJ’s that called themselves “The Men of Elegance” and groupies of females known as “The Girls in Freak Position” or worse, names that you know would piss off your parents as they demanded you to “Tira esa cochinada ahorita!” (I wish I kept one of these flyers. If you have one, let a brother know!)
Liquid Gold on a budget
They were the denizens of the house parties and clubs that rocked the San Gabriel Valley, Hollywood and beyond. They were free-style aficionados who ventured to the Mansion, a claque that was strictly “Members Only,” weekend warriors fortified by Shpritz Forté. For some reason, the men were Dippity Do’d and Drakkar’d into shiny and musky sameness. Despite their macho posturing and bantering, they were rather generic in attitude and looks. Most couldn’t grow a mustache to cover their top lip, but it was awesome to see that their girlfriends could!
It was with great delight that I found a short film I created with my one of my best childhood friends, Ed Castellanos. We invaded El Rancho a few years after we graduated, crafted a DIY masterpiece with a VHS camera. Family, friends, students all contributed to this opus, cheekily titled “Fatal Aquanet.” It was meant to be a trailer for a new movie, with audience reactions and testimonials. At 16 minutes in length, we probably could have used some judicious editing.
Our intent was to create something that was fun. The best part were the on-the-street chats with the Cha Cha’s we talked to on Whittier Blvd. one memorable night. This was a harbinger of the life I would eventually lead, of documenting interviews and questions, of capturing the stories of lives in motion with truth and verve.
Our destinies can be revealed at a young age if we just lose the fear. I wish Ed and I went on to document other things together. Who knows? “Fatal Aquanet” will live forever on YouTube and on this blog for a reason. (Ed, perhaps a reunion is in store for us? I have an idea!)
Since those chats with Nancy, Helen and Anne, I’ve been toying with another idea, of fashioning a series of posts around a fictional group of girls, Cha Cha’s all, representing a chapter in my angry, hungry, fat, gay Mexican life. Perhaps I’ll use this device to frame a larger story, of what happened to the class of 1985 through the prism of one group of friends as their gay single friend approaches 50 and faces the prospect of marriage…to someone younger.
Nothing upsets the herd like a seismic shift in the group dynamic, with the rest of the couples questioning their own choices and relationships. Sometimes when we look back, the consequences have an unexpected on the future. Good or bad, it is always for the best. And it would have great style with a soundtrack to beat any mixtape or playlist you could devise.
I don’t know how that particular story will play itself out, but I only ask that you come go with me and find out.
“At first I was afraid, I was petrified
Kept thinkin’ I could never live without you by my side
Then I spent so many nights just thinking how you did me wrong
And I grew strong
And I learned how to get along…”
— From “I Will Survive” by Freddie Perren & Dino Fekaris
Weight: 238.6 lbs.
Glucose Reading: 126
Lean for Life Program Loss: 24 lbs.
Mental State: Cautious Optimism
Today was my last regular visit to Lindora. I completed the 10-week Lean for Life program, designed to help me combat my Type-2 diabetes. The results? A more realistic loss of weight, a greatly improved series of glucose readings, lowered blood pressure and…? I’m not sure yet. What ever happens next is going to be on me, literally. And I am fuckin’ scared.
When I completed the Lindora program before, the results were always dramatic and euphoric. I was leaner, meaner and looking oh-so chic! (Ironically, that euphoria was also felt whenever I completed one of my late night eating binges of King Taco’s finest.) But like the fast food I returned to court with renewed gusto, the results were never satisfying or lasting. The weight would come back in due time, usually with a few MORE pounds tagging along for the next ride into the Depression City.
It was a truly vicious cycle, one that was particularly self-destructive by late 2015. Never before had the tyranny of food left me feeling alone and suicidal. Never before did I use food as something that could lead me to such a terrifying reality. That is the true power of addiction, when you feel you have no other recourse but to end your journey out of selfish, desperate fear. I don’t ever want to walk that plank again.
“Go on now, go. Walk out the door
Just turn around now ’cause you’re not welcome anymore
Weren’t you the one who tried to hurt me with goodbye?
Did you think I’d crumble?
Did you think I’d lay down and die?”
Before I walked away from Lindora this AM, Nurse Maria asked me, “What are you going to do next?” I honestly didn’t have an answer for her. I’ve been dreaming of pizza, nachos and fried chicken of late. Dreaming, not plotting a course. I can’t go back to what I was in late January when I started the program. I can only move forward. Certain carbs, the ones we all love most, will always be a bad crowd for me. I still have to return to Dr. Jason to complete a new A1C panel. The reality is I may never stop taking them to keep the “Sugars” under control.
Wellness and healthier living are meant to be a marathon runs, not sprints. The instability of these last months has been my biggest obstacle. Family is enduring its own trials. Friends have suffered heart and other reminders of our mortality. The world is being used as target practice for Tomahawk missiles, both literal and figurative ones at that.
This revived “Me Generation” defies the selfish, narcissism of the 1970s. We were told to live in the “Now,” but all that’s done is make us think in terms of “hurry up” and “faster.” It is also not dictated by age anymore, nor does it heed the endless cries for living an “authentic life.” No one can seem to even wait for someone to make a turn in front of us, much less wait at a stop light. No one person’s life or time is more important than your own. So many an’t even respectfully slow the fuck down to avoid the red light you’re still going to break the law to cross. Let them all be damned since no one will take the fault for an error anymore, either. It takes everything in my being to just stop and breathe.
Pondering Nurse Maria’s question anew, I think I have an answer. I’m just going to take this a day at a time. When the mania rises, when I feel the least in control and need to reach for that thing that does me the most harm, I will stop, breathe and think. I will remind myself of the dark mental state that conspired to pull me out of this world out of fear.
It’s hard not to be awestruck at the photo of little me, the one that is the featured image of this entry. I look at the abject joy in those chubby little cheeks. I was happy to be in this strange world of ours. Somewhere along the way, I let that world turn a different shade, opting to hide from the very people and things that brought me so much happiness before.
I knew from a very young age I was a peculiar little gent, but it didn’t bother me. It has taken me almost 50 years to return to that point. The destination is a little hazy, but the signs leading me here are unmistakable. I now have a better understanding as to who I was supposed to be. Not total acceptance, mind you, but I am working towards that goal.
I’ve tried on so many different personas over the years, I confused myself, literally losing myself in this panicked desire to be all things to every being that’s ever been a part of my life. I see the folly of this today. It didn’t mean a thing, trying to please my way through this world. Friends came and went, just as lovers and co-workers did, too. The people that stayed demanded nothing of me, but I kept up appearances because I had a warped perception as to WHY they liked me in the first place.
Some people may have their own notion as to who is Jorge. Not George or Coco or MediaJor or The Peach or the Jor or any of the names that have defined me at various stages of my life. Jorge is something unique all unto himself. I am more than the Teflon brother who always gets what he wants, or the gay jester or the “Angry, Hungry, Fat, Gay Mexican” or the producer/interviewer or any of the things that are part of my persona. I am ALL of those things, though, the masculine and the feminine, sometimes even both at the same time. Instead of running away from all of this, I want to stop forcing myself to fit into a space that is not of my own design anymore. It is time to embrace all of me and stop pretending to be someone I’m not or capitulate to false perceptions.
As I start the next phase of improving my wellness and health, I am humbled by certain truths I’ve uncovered anew. I’ve used my family to fund my ridiculous efforts to cover my weak self up with material goods, to fill this insatiable void of my own making. It has been exceedingly unfair and I will not abuse their unconditional love in this manner anymore. This squandering of resources is on par with the awful food choices I’ve made for years. It’s all one big cover up and I am exposing this crime of emotional fraud once and for all. It didn’t make me happy in the least, not in the longterm anyway. That I ever thought I had the right to repay them with a departed soul is unforgivable.
One chapter of many is closing. This entry is the summation of a not so complex equation, a chronicle of a life that continues to be lived, despite its considerable contradictions and flaws. Samantha, whose embarking on a similar journey to end her habit of smoking, recently said to me, “The training wheels are coming off!” That is indeed true. As I steer myself into territory unknown, I know I won’t be alone. All I have to do to survive is…breathe.
I will survive.
Oh, as long as I know how to love I know I’ll stay alive.
I’ve got all my life to live.
I’ve got all my love to give.
And I’ll survive.
Not a legend Not ordinary Not alternative No position No religion F-A-I-L-U-R-E I might as well be giving up all the time
— “Failure” by The Ting Tings
I ate a basket of bread today. I couldn’t stop myself. I tried to justify it with a joyful, “It’s Sunday Funday. I’ll be good six days a week, but I’ll treat myself to whatever I want on Sunday!”
The fact is I had zero control. Despite the decision to eat a grilled salmon entree with broccoli, I still opted to consume quite a bit of the endless salad with tons of salty Italian dressing and soggy croutons. And then that bloody bread basket. Our helpful waitress literally wore a path from the kitchen to our table as she replenished our warm, flavorful breadsticks. The less said about the marinara dipping sauce, the better.
Bloody Olive Garden! Is it any wonder why we are enduring a health crisis in this country? I really do think we are given so much choice, Viking sized portions and other reasons to eat in bulk are part of an insidious conspiracy to keep us all fat, lazy and sick since we refuse to be told how to live. Millions sold, billions earned and we are blind to the reality that we are truly lambs being lead to slaughter. Case in point, Olive Garden’s special was offering a second entree dish to go for free! But is anything ever really “free?” The costs are diabetes, hypertension, elevated cholesterol, heart disease and death, all with a generous side of Alfredo sauce.
Mind you, I can’t blame Olive Garden for my mania. It started earlier at my parents’ house, where I consumed hummus, walnuts, papaya, some Pollo Loco chicken, romaine lettuce, cucumbers and, in a fit of inspiration, air popped popcorn with melted Smart Balance butter and Tajín!
I am ending the Lean for Life program at Lindora this week. Four more days of regular visits to the clinic. Then, I have eight more visits for check-ups to complete on my own time. It can be eight weeks or eight days in a row or any configuration of eight. After that, it’s all on me.
Why I chose to sabotage myself before the very end is so typical! It harkens back that infamous freshman year at UCLA when I sold my books before my finals in one class — and it was an open book test!
Sitting at the table with Anne and Helen that night, our reminisces about the past circled to the bullying we endured or witnessed when we were in middle school. As I write this now, I realize that I’ve been my own worst bully. The difference between then and now? Those guys who knocked my books out of my hand, slapped the back of my head as I walked down the hallways at Meller Jr. High or yelled the most hurtful slurs about my peculiar brand masculinity were left way behind in Pico Rivera. But, I still say and think some of the darkest shit about myself to myself on the daily. I shame myself for my failures and weakness. I reserve the harshest criticisms for myself.
If any of us are to stay on the path towards wellness, bullying ourselves cannot be part of the regimes we attempt to establish. We have to love ourselves even more as we battle the moments of weakness that will inevitably occur again. It may be on a Sunday or some other part of the week that ends in “y.”
I am angry with myself right now, but tomorrow is another opportunity for a reset. I made a choice to be healthier for a reason. I’m still grappling with the concept that failure is just part of the process. Yet, I do know that success will forever stand right next to failure. They are never that far apart, but you do control the amount of distance that remains to be covered when you experience that moment of weakness. I let 17 months go by before I finally stopped my descent into a full blown health crisis. And I’ve had success in making great improvements.
I contemplated not going into Lindora tomorrow to avoid having to see the scale head upwards in the morning after seeing it drop over the last week. I will go in as planned, however. As I write these closing lines, I ponder that law of gravity that keeps our feet on the ground. Whatever goes up, will eventually come down. And down these numbers will continue to drop.
Oh, did I mention I also hit Yogurtland, too?
Update: The weigh in at Lindora gave me a case of the Mondays. I was up SIX pounds of sodium-induced bloat, reaching 245.8. My glucose reading was at 119. I’ll be drinking a lot of water this week.
Our language is the reflection of ourselves. A language is an exact reflection of the character and growth of its speakers. — Cesar Chavez
My family’s activism has never wavered since those first steps towards civic awareness, which took shape at home and in our classrooms at South Ranchito Elementary in Pico Rivera, California. I will never forget that moment in 1977, when those first uncertain steps led me to an encounter with the person who envisioned the path many Latinos remain on today: Cesar Chavez. As we honor this great man today, following is a remembrance piece I wrote for Desde Hollywood in 2014, which was timed to the release of director Diego Luna’s underrated “Cesar Chavez” film.
If you were a Latino (or Chicano) child of the 1970s in southern California, chances are you were part of a bilingual education program that was a glorious but short-lived experiment. Today, I can see it as a powerful opportunity to build a bilingual cultural identity. That wasn’t quite the image I had several decades ago. My parents, both Mexican immigrants, were unusual in the sense that they gave their first generation American children a choice. We could either learn Spanish or not. Sadly, I did not take advantage of becoming bilingual until many years later. Yet, I never lost sight that I was part of something bigger. The question became not just about learning the language, but understanding the importance of preserving a multi-cultural identity. Today, many of us face an additional challenge in terms of what role we should assume as Latinos and as Americans with a voice.
As the rising power of Latinos continues to amass in our contemporary culture, it is thrilling to discover the community at a real crossroads. We will dictate the next election. Immigration reform has never been a more prominent and important issue. The national narrative is being re-written, but how do we make sure we get a chance to contribute to these next chapters in American history? It is about taking those first steps forward to achieve awareness, to educate ourselves on the issues that affect us all.
The arrival of “Cesar Chavez” was a significant achievement for many reasons. Some have to do with the hope of a changing film industry that remains in play, but others are decidedly personal. Hollywood loves telling the stories of ordinary people who stare down adversity to become extraordinary figures in history. We’ve witnessed the return of the Great Emancipator; a king’s struggle with speech, the rise and fall of an “iron lady” and the harrowing 12 years lived by an American slave. Yet, something unusual happened when I viewed “Cesar Chavez” for the first time. This time, it wasn’t a performance or scene that stirred an emotional response. To coin a much clichéd tag line, this time the movie was personal.
In 1977, my entire family marched with Chavez and the United Farm Workers on a sunny April day in the Coachella Valley against the lettuce growers. We all knew the importance of Chavez’s actions would remain far-reaching. By today’s standards of political correctness, the teachers at South Ranchito Elementary could have been charged with imposing their own political agenda on their nine and 10 year-old students. Yet, today hindsight reveals a different scenario. These educators were trying to instill in us the value of community and responsibility we shared in preserving its ideals. We were being taught the power of being connected, very much how Chavez himself went out to speak with individuals face to face. It was that connectivity that created the UFW and changed the political future for Latinos in this country.
I am ashamed to admit that the impact of that April day faded too soon. I was living a suburban life of relative comfort by comparison to the young field workers I met that afternoon in the Coachella Valley. They saw the world a lot differently, but they didn’t shame us for not understanding. We were interlopers from classrooms miles away; fulfilling a teacher’s hope the experience would change us in some way. My adult journey did allow for a sense of community awareness, overreacting to hot button issues, as do most of us. But none of this happened in the way my idealistic teachers hoped. I’m an average American who votes, adhering to moderate political views. As I reach middle age, however, I find I am now questioning much in our modern life. And it is spilling into the contributions I am making as a member of the media.
It would be easy to go off on a tangent about how the industry still cannot understand that a multi-cultural audience wants to see itself on screen in roles that aren’t stereotypes. It is no coincidence that instead of watching films about dead rock stars, films like Eugenio Derbez’s “Instructions Not Included” are playing favorably with more than just a Latino audience. But the Latino community showed its strength and they were heard. Now, “Cesar Chavez” the film needs that same grassroots support to sustain what should be viewed as a cultural movement.
After watching the marches and rallies depicted in “Cesar Chavez,” my mind went straight to the details of that hot April afternoon. The dusty walk of the countless supporters who joined la causa, their strong voices unified into a choir of peaceful civil disobedience, the annoying splinter in my right hand from the wood of the sign I held straight up into the sky. Even the hideous tartan pants I wore that day seem to take on a “Braveheart” glow. But most of all, I remember the walk to meet Chavez himself at the post-march rally.
My dad was with me, encouraging me not to be shy. We had been waiting for a break in the crowd, all wanting a moment to speak to him. Finally, we had our chance. I walked with the same purpose of my father, my shorter stride valiantly trying to mirror Dad’s more confident steps. Jorge Sr. spoke first, of course. Then, he introduced me to el señor Chavez. I was shaking the man’s hand, receiving that welcoming smile and a kind word of appreciation for being there that day. He went from being a photo in a textbook or news item into something out of a movie. Cesar Chavez was real and he was a real hero.
In early February (of 2014), I had the opportunity to sit down with Luna to conduct the interview that would be used for the “Cesar Chavez” broadcast press materials. He had just flown into Los Angeles from Washington, D.C., where he presented the film prior to moving on to its world premiere at the Berlin Film Festival. What should have been an easy 20-minute on-camera exchange for the electronic press kit became a 90-minute conversation that covered more than just the making of the film. The candor and sincerity revealed by Luna could not be tempered by exhaustion. Much is riding on the film and he is fully aware of what its success will dictate to him as he evolves from actor to director.
We are taught as journalists to never become part of the story, but this was a unique situation. It is hard to not see this as a full circle experience. Many people will be introduced to Cesar Chavez for the first time after viewing Luna’s film. It is an artistic risk for the Mexican-born artist, particularly with taking on this most American of subjects.
Still, the possibility of this cinematic meeting between Chavez and today’s audiences having the same resounding effect as it did with the hundreds of thousands of men and women who stood by Chavez, his family and the UFW is tangible. Therein lies the power of film. The greatest lesson to be learned is not reserved for the immigrants or American-born Latinos who continue to revere him. All of us must understand the meaning and power of Sí Se Puede. It does not belong to any one era or people. Its purpose applies to all those seeking to make change happen.
To illustrate the point further, here are excerpts from my conversation with Diego Luna on “Cesar Chavez,” exclusive to Desde Hollywood:
JORGE CARREÓN: Cesar Chavez was a truly humble man. How would he have viewed this entire process of making and promoting the film about his life?
DIEGO LUNA: He never wanted a film to be made about him. When people got to him and said, “We want to make a film about you,” He said, “No, no, no. I have a lot of work to do. I cannot sit down with you to talk about what I’ve done. I still have a lot to do. So, no films.” He hated the idea of being recognized. If you wanted to give him recognition, an award, he would ask you to do in the name of the union. He hated to be on the front page.
CARREÓN: Even with the industry’s fascination with biographical films, does his reticence explain why a film about his life has taken such a long time?
LUNA: There’s a reason why there’s not been a biopic about Cesar like the ones normally done in this country. If I were going to come and do a film, why would I try to repeat something that also doesn’t belong to me? To the way I see the world, to the kind of films we want to do? I wanted to make a film that for a moment you could say; “Oh is this going to end right or wrong? Is this going to have a happy ending where they win or not?” I hate films that when they start and you know how they’re going to end it. I’m pretty sure that in the course of these 10 years we cover of his life, he woke up many times saying, “This is not going to work.” I wanted that to be part of the film. If I would have shown a perfect man, making just the right decisions all the time, then you know the end. Why would you pay a ticket to see that? The other answer I have, which is not as beautiful as this one, is because you guys never made it.
CARREÓN: How do you hope the impact of “Instructions Not Included” will increase the marketability of “Cesar Chavez” with a mainstream audience?
LUNA: I hope this film works in that way. Before “Instructions Not Included,” every huge success in Mexico was like a niche success here. But that one was unbelievable. Suddenly on both sides of the border people were saying, “I want to see the same film.” That means something. Things are changing. So it makes sense there’s a Mexican telling the story of Cesar Chavez.
CARREÓN: Hard to believe, but you can see how certain sectors of the Latino American and Mexican film communities may have a polarized view of what you’ve done as director of “Cesar Chavez.”
LUNA: We are two different communities and I have to say there’s a lot of prejudice about Mexican-Americans in Mexico. And there’s also a lot of prejudice about the Mexican experience today from the Mexican-American community. Things have changed dramatically in the last 20 years. This film is an attempt to bring that wall down. It’s ridiculous that we’re not connected. That we are not working for each other, feeding each other. I come here and I go to my favorite two places near my house. One is a restaurant. There’s a family from Nayarit that does the best pescado a la plancha that you can get in California. It’s unbelievable that they’re not in touch with those who cook the exact same dish every day on the other side of the border. Why do we allow this world to really separate us? It’s ridiculous. I think we would be strong, really strong if we would be connected, if we would feel as part of the same thing. It’s like what the film says, “You can think it’s all about you and your life is miserable or you can open the door and say, ‘He probably thinks the same and if he thinks the same, if we all get together we might be able to change things.’” It’s time that we see each other as part of the same people. We would be stronger. We would be able to say we want these films to be made. We want more films like “Cesar Chavez” that would represent us, films that are about people like us.
CARREÓN: The reality is many audience members will be introduced to Chavez’s life for the first time. It is a thrilling prospect to see what they will take from this introduction.
LUNA: I think Chavez showed something very simple, but very difficult to actually believe in, which is even though you think that person doesn’t care about you, he does. He does. We have to work that muscle so we don’t lose that ability to actually care about what’s going on with our neighbors. We’re learning to be around so much violence and injustice and we shouldn’t get used to that.
CARREÓN: With the film now being seen by a mass audience, what impact are you hoping the film is able to make? This is a bold move, away from how the industry views you as an artist.
LUNA: I want to inspire people to say, “Why is there not another Cesar Chavez today in this community? What’s going on? We could be that man.” His life was very difficult. Eight kids. Imagine convincing that amount of people to go back to live in the worst conditions in the fields to bring change for a community that you’re not part of anymore? We should be celebrating that this happened and hope this is the first of many films not just about Cesar Chavez but the farmworker experience and the Mexican-American experience. I truly think we just have one chance. If this film doesn’t succeed in the box office, if people don’t actually go watch it, I’m going to have to rethink what I’m going to do in life or where I’m going to do it. This one shot has taken four years of my life. My son was born here. I opened a company in the States. But my heart, my stories, my father and my friends are in Mexico and I need to be able to keep both things happening. The film is about that in a way. I really hope this shows that cinema should be representing this community today with respect. It’s a very complex community and the need of content is huge. Films like “Cesar Chavez” need to exist and it’s just not happening. So let’s hope it starts to happen.