Wife when it premiered in 2000, running off-Broadway, Broadway, and a national tour. One of the breakout stars was then 80-year-old Shirl Bernheim.
When the play was casting, Bernheim through her hat in the ring and became a fantastic anecdote in the process. As relayed by Seth Rudetsky of Playbill.com, it was quite a fortuitous moment:
“She didn’t have any Broadway credits, but she was fantastic and had her own walker. She got the gig and did the show on Broadway and on national tour.
Charles said she was “quite a character”! As a matter, after she passed away, there was a memorial for her, and her understudy told everyone that before each performance, she would check in on Shirl. The conversation would be this:
Understudy: How are you tonight, Shirl?
Shirl (whirling around): What? Are you hoping I’ll break my hip?
After you’ve taught the world how to be a Latin lover, what do you do for a follow up? If you’re an international comedy star, you offer the world an unexpected new twist on one of the most beloved romantic comedies of the 1980s and go… “Overboard.”
Since his groundbreaking American film debut in 2013 with “Instructions Not Included,” Mexican actor and filmmaker Eugenio Derbez broadened his audience further with the 2017 box office hit “How to Be a Latin Lover.” Seeking a new challenge, Derbez and production partner Benjamin Odell knew they set the right course in taking on the famed 1987 romantic comedy “Overboard.”
Several industry heavy hitters had already tried to find the right combination that would take the film from being a mere remake to a filmed entertainment that spoke to a generation that, incredibly, may not be familiar with the original. Recasting the roles played by powerhouse duo Goldie Hawn and Kurt Russell would not be enough. The basic premise of sweet, vengeful justice that happened to blossom into an unexpected romance also would need an update.
After much planning and discussion, this bold, new “Overboard” was ultimately set forth on a journey that would reflect the diversifying image of mainstream American cinema. Genders would be reversed, giving Derbez and blonde comic dynamo Anna Faris a chance to put their mark on the characters essayed by Hawn and Russell. More, the identity of the film would take on a multi-cultural one, mirroring the audience that continues to impact more than box office revenue. The end result can only create a splash of its own. Find out how this “Overboard” set sail in the following Q&A with stars Eugenio Derbez, Anna Faris, and Eva Longoria.
“Overboard” opens citywide on Friday, May 4th.
JORGE CARREÓN: What is it about the original that makes people smile, even today?
EUGENIO DERBEZ: Goldie Hawn. I love her. She’s amazing. She’s adorable. She’s charming. She’s funny. She’s everything. And the story is interesting, you know? This clash of cultures is funny when you see the rich against the poor and then they switch, and they torture her.
ANNA FARIS: I love the original so much. I grew up watching “Overboard.” It was my sick day movie! It feels like I watched it every day. It was the movie that my friends and I could all quote.
EVA LONGORIA: It is such a classic film! I love the original. I love Goldie Hawn. I love their love story!
CARREÓN: What makes this take on “Overboard” special to you?
DERBEZ: Flipping the genders was fresh because we wanted to break stereotypes. The normal thing to do is I would play the carpenter and Anna (Faris) would play the billionaire in the yacht. But it’s a different world. When you want to do a remake, you do it because you love the movie. If you start changing too much it becomes another movie. We were careful in not losing the core of the original story.
FARIS: I’m thrilled to be a part of it. it’s also terrifying because When I was approached with the project, I was incredibly flattered but I also felt like these were huge shoes to fill. But, I couldn’t resist it, so we’ve reimagined it. The Kurt Russell character is played by my me and Goldie Hawn’s character is played by Eugenio. I think we’ve updated it and I hope that it satisfies fans of the original.
LONGORIA: There are movies that you go, “You cannot touch that!” I thought this was one of them. When I first read the script, I wanted to not like it. [LAUGHTER] It’s a reinvention more than a remake. The role reversal makes more sense now if you think back to the original. This role reversal is a little more accepting because it’s the guy who is going to do hard labor in the house. He should. [LAUGHTER]
CARREÓN: The gender reversal of roles is just one layer of this new imagining of “Overboard.” Eugenio, what did it mean for you to take on the role played by Goldie Hawn?
DERBEZ: It’s typical that in Hollywood you always see the Mexicans playing the gardener, the immigrant. But there are other kinds of Mexicans. Many Americans don’t know that one of the richest men in the world is Carlos Slim. That’s why I decided to play this Mexican billionaire as if he were a Carlos Slim type. What I loved the most is I got to play two Leonardos. The Leonardo who’s rich and the Leonardo who’s poor later. But, it was a real challenge playing the billionaire. When I watched the original movie, one of the things that I really loved from Goldie Hawn was that even though she portraying a mean and terrible human being, she was always charming. And I was like, “God, I need to find the way to do the same thing!”
I wanted this guy to be, even though he’s a jerk and he’s always mistreating people, I wanted him to be charming and lovable. That was the challenge. Although, I did love being the billionaire more than the other Leo because it had more room to play.
CARREÓN: How about you, Anna? How did you want to make your role as Kate resonate in this new context? Is she an extension of your real self?
FARIS: I think that every character that I play of course has a degree of me in it because I think that’s how you sort of attempt to embody a character. I love Kate because I could recognize her sort of desperation. She wanted to be able to do the right thing. And yet, there’s this temptation. She succumbs to it and takes Eugenio’s character out the local hospital when he’s suffering from amnesia and convinces him that he’s her husband and that he also has three jobs and must now support her family. [LAUGHTER] That sounds pretty horrendous! But, I like that Kate was very real to me. She’s funny and gritty and she’s working her ass off to raise these kids and to try to make ends meet. It makes me feel like a lot of the people that I grew up with. Hopefully, it’s honoring the idea of how just hard it is for working single women and people.
CARREÓN: It is important to be able to trade comedic dialogue with an actor who’s also adept at bringing the funny. How was it creating a bond as Leo and Kate?
DERBEZ: Anna and I clicked from the moment we met. There’s nothing better than having chemistry with your co-star. Anna was exactly as I imagined. She’s funny, she’s amazing, she’s full of energy, she’s always making jokes. It was easy to work with her because she’s always feeding you with funny stuff. During takes, I’d be enjoying her performance as if I was watching a film! I’m like, Sorry I wasn’t reacting! I was watching Anna!”[LAUGHTER] Besides it is a little bit freaky because she looks like Goldie Hawn. You can’t imagine how similar she is. There were a lot of takes where I was watching her and thinking, “Oh my God, it’s exactly like Goldie Hawn!” I loved that.
FARIS: I couldn’t adore Eugenio Derbez more. He’s got these big eyes. He’s innately charming. He’s hysterical. Our first day of shooting we were stuck in a car on a trailer together. And we hadn’t spent that much time together except for a couple of rehearsals and a couple of meetings before. And I was just like chatting his ear off. And I remember him looking over at me with like sort of this look of confusion. I’d like to think also he was charmed by my chatty Cathy business I was doing. [LAUGHTER] We both come from this comedic background. We both have though dramatic undercurrents in ourselves. We talked a lot about acting throughout the course of the movie. I admire him so much.
CARREÓN: One of the revelations from these interviews is that Eugenio admitted he and Anna are both insecure when it comes to performing. Why?
DERBEZ: Well, she’s so humble. Anna is one of the funniest comedians in Hollywood. English is not my first language. It’s hard for me to perform in English. I was always curious about whether I could be funny in English? People say I’m funny in Spanish, but I’m not so sure I’m going to be able to crossover in English. Every day I would ask Anna, “Was I funny?” She would say, “What are you talking about? You were really funny!” Then she’d be the opposite, “I think I wasn’t funny.” And then I’d say, “What are you talking about? You’re really funny! You’re Anna Faris!” I think all actors in the world are insecure, but probably more so if they’re comedians. [LAUGHTER]
FARIS: I don’t know how Eugenio does it. We were just talking about that just a sec ago. Like, I was like how do you do this. How do you, how do you, it’s just incredible to be able to speak and act in a language that’s not your first!
CARREÓN: Do you think a cross-cultural romance experienced by Leo and Kate is a risky move for a mainstream film today?
DERBEZ: Yes and no at the same time. We’re going through rough, tough times. But it’s time to make a statement. I think America is a great country and it’s built by many groups of people, not just one. I’m Latino and Latinos have been doing great things here in the U.S. In a certain way, we’re telling people that anything can happen. This is America. That’s life in America.
FARIS: I loved the idea. I hope that this movie can touch different cultures, different generations. It feels progressive in that way. I love it that we have these incredible Mexican actors in our movie. I love it that we speak Spanish. It feels like next generation as well and I feel to be a part of that. I think that is something that makes this movie stand out.
CARREÓN: The new “Overboard” also has a secret weapon that wasn’t part of the original film, which is the scene-stealing Eva Longoria as Kate’s best friend, Theresa.
FARIS: The first day Eva came to set she ran up to me, and mind you, I had never met her before. She gives me this massive bear hug and she’s just like, “You and I are going to be best friends.” And I was like, “Oh my gosh! You are a dream!” I loved acting with her. She’s just an incredible person and an amazing actress. I think that there can be a sense of competitiveness sometimes, which many of us have experienced in the past. It’s wonderful to be at a place in life where no one is bringing any of that to the table. I just love her so much. We should definitely play buddy cops or something in another movie! [LAUGHTER]
LONGORIA: It is just so fun being able to play off Anna. I’ve been such a huge fan of hers my entire life, from “The House Bunny” to the “Scary Movie” franchise to “Mom.” She’s just such a talented comedian. She has this natural instinct for comedy. She’s really great with physical comedy, so doing scenes with her has been a lot of fun. And to play her confidant and to be able to play off each other has been a dream for me.
CARREÓN: How important was it to have all roles not depict a cultural or gender stereotype?
FARIS: There’s been this wonderful sort of awakening, where we have brilliant writers and our directors and screenwriters creating material that’s multi-dimensional and doesn’t fall into a particular category. I love that Kate, my character, had dialogue could have easily been played by a guy. It feels great to have anything that sort of fits into a box that’s conforming in any way. Hopefully, we’ll see more roles played by all different kinds of people.
LONGORIA: We’re taking steps forward in the right direction with diversity in film. We have to do more and it starts behind the camera. Eugenio’s directing and producing. I’m directing and producing. When you have the viewpoint of a diverse person, what’s in front of the camera is bound to be diverse. We are taking small strides, day by day. The landscape of America is changing, and changing in a Latin way, I think that will eventually be reflected in television and film.
CARREÓN: What’s been the most compelling aspect of having creative control over a film project? A great example with “Overboard” is its diverse ensemble, particularly with the talents of such acclaimed Mexican actors as Cecilia Suárez, Mariana Treviño, and the great Fernando Luján as Leo’s family.
DERBEZ: I’m basically hiring myself for every project. And I like that because I have a voice. It’s important to have a voice nowadays. I wanted to introduce some of our great Mexican actors to a new audience. They’re amazing! I loved doing that. And if I can be a bridge for all this great talent we have in Mexico, then I’m happy.
LONGORIA: I applaud what Eugenio’s been doing with his films in Hollywood as a Mexican actor. What’s been so wonderful to see is that he brings his culture with him. He brings the actors from Mexico with him. He’s never turned his back on his origins. He’s doing these bi-cultural films really well. They’re funny. They have general themes. Universal themes that a general market can enjoy and I think that’s the key. That’s why “Desperate Housewives” was so successful worldwide because you deal with universal themes that everybody can relate to. If you do movies about love and romance and divorce and heartache and jobs and child raising and death. I mean, those are things everybody can relate to. And then you make it a comedy? [LAUGHTER] It’s enjoyable to watch. I’ve had these moments where I look around the set and I get chills because there are so many talented actors on the set, but there are also so many diverse talented actors on set. It’s very rare that you go onto a movie set and you see actors from Mexico City doing an American film. And that’s really what I applaud Eugenio for.
CARREÓN: Expectations versus reality. Which did you all enjoy more? The scenes on the yacht or the ones on land?
DERBEZ: We were all so happy the day they told us were going out into the open sea on a luxurious yacht. Then we had to reduce the crew because we all couldn’t go onboard for weight purposes. In the end, we couldn’t wait to finish shooting on the yacht. [LAUGHTER] It was so hard! The interiors of the yacht were covered in plastic to protect the walls, the furniture. We were standing up most of the time. We’re sitting on the floor. It was packed. You couldn’t walk around. You couldn’t bring food inside or drinks. All of us had to have lunch outside. It’s Vancouver. It’s Canada. It was freezing. It was so windy! The scenes on the jet with the beautiful women in bikinis? We were all shouting and yelling and laughing. When I came back to the yacht, and the crew said, “You all looked like you were having a lot of fun!” I said, “No! We were freezing. The water was cold! Those were shouts, not laughs!”
FARIS: I loved making “Overboard.” Just the thrill of getting to be a part of it is amazing to me, one I could never have imagined as a child. I also loved that our directors and Eugenio gave me a sense of freedom. There was a lot of improvisation, plus the idea that we’re telling a romantic journey in an unconventional way.
LONGORIA: We had a funny scene, Eugenio and I with the condoms. That’s all I’m going to say. I’m going to say is Eugenio Derbez, Eva Longoria, and condoms. Watch the movie. [LAUGHTER] I loved anything with Anna. I loved my screen husband Mel Rodriguez [who portrays Bobby]. You have no idea. Mel and I have known each other for 18 years. Every time we had a scene together, the director was like, “More of that!” Now we have to go do a show together. We’re that good together. It feels like we’ve been married 20 years. We’ve all had a lot of fun, but the water scenes were rough. It was raining, it was freezing. It’s probably some of the funniest stuff we’ve shot, the end of the movie, the little boat chasing the big boat. I think people are really going to enjoy it.
CARREÓN: What do you hope audiences take away from watching “Overboard?”
FARIS: It ultimately becomes a love story. What Kate and Leo bring out in each other is eventually the best in each other. Leo becomes a version of himself that he didn’t know he had in him. And I think Kate’s walls get broken down. There’s something really interesting in the idea that this man who has everything that the world could offer and he somehow finds reward in having a family and a simpler life. It’s the idea of what money can’t buy.
LONGORIA: People can expect a lot of fun out of this movie. They’re going to want to go on this journey with these characters, between Kate and Leo and their families. I feel like there’s a desire for a movie like this right now, especially in the world we’re living in. We want to escape into a beautiful place, a happy place. You want to experience someone else’s journey and not think about your own problems. [LAUGHTER] This movie’s going to do that for you.
DERBEZ: It was a challenge and a great responsibility to do a remake of this great film. When we hired writers Rob Greenberg and Bob Fisher and we read the final script, we were thrilled. We first talked to MGM about flipping roles and they were like, “No! This is an iconic movie. We don’t want to go that far!” They read the script, and they were like, “Oh my God. We love it!” We have a great movie. I think we have an amazing movie. Funny, interesting, and with a lot of heart. It has everything and it’s a roller coaster. It’s a family movie, too, which is a plus. I like doing movies for everyone.
**The interviews with Eugenio Derbez and Eva Longoria were completed on location in Vancouver during production in June 2018. The Anna Faris interview was completed in Los Angeles in January 2018. The transcripts have been edited for this piece.
The “Overboard” English and Spanish featurettes were produced by Jorge Carreón at Monkey Deux, Inc. for Pantelion Films.
Edited by Kate Ryan (English) and Steve Schmidt (Spanish), the featurettes are included courtesy of Pantelion Films.
“Every man carries a bit of the personality of the Latin lover inside. If you have the energy, if you have the inner self-confidence, you can be a Latin lover. It’s not a stereotype. It’s a way of living!”
— Eugenio Derbez on his role as Maximo in “How to Be a Latin Lover”
It was a sensational opening weekend for HOW TO BE A LATIN LOVER at the box office. The bilingual comedy lead by Mexican comedy titan Eugenio Derbez, Salma Hayek, Rob Lowe, Kristen Bell and a multi-cultural/multi-generational ensemble cast debuted in second place with $12 million from just 1,118 theaters. With Latinos comprising an overwhelming 89% of the audience and a “A” CinemaScore grade, this “Latin Lover” has plenty of seduction power and swagger to fuel its momentum.
My colleagues at Monkey Deux, Inc. and I had the distinct privilege of working on the campaign for HOW TO BE A LATIN LOVER, crafting the broadcast and online publicity materials that began during production last Spring 2016 in Los Angeles. It is by far the most entertaining film that Pantelion Films, the Latino division of Lionsgate (with Televisa) has produced and perhaps the most enjoyable project we’ve collaborated on to date.
As an American-born Latino in Hollywood, the opportunities to work on films that reflected my Mexican heritage were far and few in between. Since my association with Pantelion began in 2013, the door that opened into this world of Latino entertainment has been one of the best things to ever happen in the near 25 years of my career. Meeting and working with some of the most formidable Latino artists working today continues to add an exciting layer to my role as a producer/interviewer. More, the chance to express myself in two languages has allowed for opportunities I never thought possible.
I had to share a little of the memorable experience in speaking with Derbez and Hayek about the making of HOW TO BE A LATIN LOVER, interviews which were used to create the featurette that is running online and the production notes given to the press covering the film. I’d like to see how any wall would dare to keep out the unbridled creativity and cultural pride shared by Derbez and Hayek. If anything, their recent appearances on several leading morning and late night shows translated into something for everyone to enjoy at the movies.
As we venture through a divisive time, where isolating those who are deemed not like “us” is acceptable, we need to continue to support diversity, especially in the arts. We all have stories to tell, stories that reflect our true face as a nation. You may not make films like HOW TO BE A LATIN LOVER your priority. However, sooner or later, all of our experiences and perspectives will grace the silver screen without being listed as a “special episode,” a “woman’s picture” or crafted for a “niche audience.” That’s how we can stop the walls and project a saner future for us all.
An excerpt from my production story on the making of HOW TO BE A LATIN LOVER with Derbez and Hayek below:
Following up the global success of Instructions Not Included in 2013 was no easy task for Mexican comedy superstar Eugenio Derbez, who wrote, directed and starred in what remains the highest grossing Spanish film in US movie history. Capturing that sort of lightning in a bottle twice can be elusive. Still, the timing of Instructions Not Included proved fortuitous, playing a role in further illustrating the importance of diversity in Hollywood-produced entertainment. Derbez opted to flex other creative muscles while patiently searching for the right project to tackle as a filmmaker, securing roles in such features as the recent hit Miracles From Heaven and the upcoming action drama Geostorm. Being able to choose the project that best fit his established comedy brand was a serious task, so when Derbez and his 3Pas Productions partner Benjamin Odell heard the pitch about an aging gigolo, they knew they hit pay dirt.
“I was looking for a script for me that could fit my accent, my audience, my age, my everything,” Derbez recalled with a smile. “What I loved about HOW TO BE A LATIN LOVER was the fact that we could play with this image of someone who is beautiful and handsome like Julio Iglesias or Enrique Iglesias or Ricky Martin. Maximo is really aging, probably in the worst years of his life, and I think that’s the funny thing about this character.”
Despite sharing a friendship that spans more than 30 years, Derbez and Oscar®-nominated actor/filmmaker and paisana Salma Hayek had often regretted that they’ve never had the chance to work together. That lifelong promise made good proved a formidable “get” for the film that all the filmmakers hoped would happen. As Sara, Maximo’s headstrong, burgeoning architect sister, Hayek said establishing that familial bond was hardly a stretch given her history with Derbez. (Fun fact: they share the same birthday of September 2.)
“I’ve been friends with Eugenio for a long time,” Hayek explained. “When I started my production company, one of the first ideas that I had was to do a show for Eugenio. But America was not ready yet, this was before Ugly Betty, to understand the power of the Latino market. We are very similar in many ways. I cannot think of a better fit for the characters than to be brother and sister. For me it’s a great opportunity to act in Spanish and to play a Mexican woman and to have fun, reliving a little bit our childhood. I got to relive my childhood in Mexico with a brother that in real life feels like a brother to me.”
For Derbez, other practical realites existed in wanting Hayek to join the cast, extending beyond the chance to work together. The duo even took to the recording studio later in the film’s post-production to capture their upbeat salsa version of the classic ballad “El Triste” for the soundtrack.
“It was an amazing good time because she’s lovable. She’s crazy. And she’s very creative. She’s always bringing new stuff. When we were acting in Spanish, we felt really good. It was like we weren’t even acting. We were like just playing around, like brother and sister. It’s not easy to find something like that sort of chemistry. It’s just so good to have two real Mexicans playing Mexicans because I’ve seen a lot of Hollywood films with supposed Mexicans that aren’t Mexicans. Another producer would have hired an actress from another place and probably some audiences wouldn’t be able to tell the difference. But for us you can absolutely tell when somebody has an accent from Colombia or Argentina or Spain. It was really important for us to have two real Mexicans portraying two Mexicans.”
Hayek further extolled the benefits of having a film populated by an ensemble of contrasts, which further enhances the humor found from the clashes of cultures and generations that are the film’s core.
“What’s great about the movie is that I think there’s going to be a lot of different audiences for this film,” Hayek said, “I liked the idea that in some ways Maximo also enjoys his job. It’s important to him to make these women feel special. It gives him joy. The minute they get older, they are abandoned or overlooked by society. I think that it’s a lovely quality of the character that is original in the film. Everybody gets to laugh about themselves in the way we laugh about the concept of the Latin lover. It has a lot of heart and that is extremely important. It’s a little naughty but it’s done in a clever way so that it can go over the kids’ heads, but there are still things they l get to enjoy.”
Shot on location throughout Los Angeles, Marino is proud that the film reflects more than just the iconic, glittering parts of the city audiences have come to enjoy on screen time and time again. Despite the often-raucous events that occur throughout the film, he wanted to make sure the face of the city was also a key player that was grounded in reality. The multi-cultural and bilingual sights and sounds of the city are also complimented by a soundtrack that includes a new recording from Grammy®-nominated star Carla Morrison.
“It was a blessing to shoot in L.A.,” Derbez added. “In this case, we could afford the luxury of shooting here. And it’s so good to see L.A. like it is.”
Timing again looks to be on the side of Derbez with the release of HOW TO BE A LATIN LOVER. In this era of exaggerated luxury and status symbolism, Maximo would feel right at home in the Instagram-documented age of certain reality TV “stars.” Derbez has worked hard to curate a comedy brand that’s ranks him as one of the top artists working in Mexico and Latin America today. While he’s made some inroads in the United States, HOW TO BE A LATIN LOVER did provide him with his first ever leading role in English. The actor-filmmaker admitted that the process was “tricky” at times, even prompting him to wonder if his type of comedy would translate into a different language.
“I come from the Hispanic world and we are broad,” Derbez exclaimed. “We’re big! In this movie, I go to places that I’ve never been, but in a very contained way. It’s really been a learning curve. I feel so good about it.”
Upon seeing the finished film, Derbez is more confident than ever that the strengths of the material and its message will play to the widest audience possible. It is one more phase of an overall plan to continue bringing a unique slate of projects that will not only redefine his own brand of comedy, but do away with the labels associated with being a specific type of entertainment.
“It came from an original idea and it became funnier and funnier every single day,” Derbez concluded. “I’m so proud of it because it’s really different. We’re breaking all the stereotypes. Every time I work, whether it’s on my TV shows or my films, I love putting something for everyone. I like to work for the entire family. This feels really fresh and different. It also has such a nice and important message. Money’s not the only thing that’s important in life. Maximo had everything. Cars, yachts, helicopters, planes. He lived in huge mansions, but he does realize that life is about something else. Life is about family, about love, about taking care of each other. That’s one of the best things the movie has to offer.”