Carreón Cinema Club: Actor Fred Ward Exemplified “The Right Stuff”

Carreón Cinema Club: Actor Fred Ward Exemplified “The Right Stuff”

We will miss you, Fred Ward. You marked the lives of several generations of film and television fans, and we’re all the more grateful for your lighting up the screen. Rest in power, sir.

Fred Ward in the 1990 cult classic “Tremors.” Photo: Universal Pictures

Ward, who starred in films including “Henry and June,” “The Right Stuff” and “The Player,” has died. He was 79. 

Film fans of the era were quick to champion Ward in “Tremors,” playing affable smalltown repairman Earl Bassett in a performance that was one for the Blockbuster video store ages. Released in 1990, director Ron Underwood’s clever and earnest take on the American western genre as a monster-based comedy wasn’t exactly a box office hit. Rather, it developed a wider audience as they discovered the film during its home entertainment release, ultimately launching a franchise.

Co-starring Kevin Bacon and Finn Carter, “Tremors” fans also could not get enough of the vivid turns from iconic TV dad Michael Gross (“Family Ties”) and country music legend Reba McEntire as a survivalist couple, chewing up the screen as much as the carnivorous worm-like creatures dispatched by Ward, Bacon, and the townsfolk. Still, at its center stood Ward and Bacon, essaying one of the first post-modern “bro-mances” on screen in that era, a friendship that felt genuine and sincere despite the monster movie chaos fueling the narrative.

“Ward has played many heroes, each with a subtlety that removed them from the cardboard cutout figures that they could have been,” the Chicago Tribune’s Julia Cameron write of the actor in 1985. “In many ways, his work…can be viewed as a meditation on America’s notions of masculinity.”

Ward was married to Marie-France Ward, with whom he had a son, Django. TMZ reports via Ward’s rep that his cause of death is currently unknown. Ward, whose death was reported on May 8, wanted memorial tributes to be given to the Boston University Chronic Traumatic Encephalopathy Center.


— Read more at variety.com/2022/film/news/fred-ward-dead-dies-tremors-the-right-stuff-1235266338/

Ezra Miller and the Entertainment News Burn Book Syndrome

Ezra Miller and the Entertainment News Burn Book Syndrome
Ezra Miller/AP

If you’re scanning the trades, reading an article in The Hollywood Reporter and, woefully, even Variety carries the distinct whiff of “burn book.” For example, what does the following paragraph have to do with actor Ezra Miller’s recent troubles with the law in Hawaii?

“The second arrest comes less than a week after the U.S. release of “Fantastic Beasts: The Secrets of Dumbledore,” in which Miller plays a supporting role in the “Harry Potter” spinoff franchise. The latest “Fantastic Beasts” opened to a franchise-low after it’s been beleaguered by a number of controversies. In addition to Miller’s arrests, actor Johnny Depp was fired from the franchise in the midst of his own legal battles, and “Harry Potter” author J.K. Rowling has been under fire for anti-trans comments she’s made on social media.”

It would appear that darker themes exist in the Miller saga, but way to fan the flames of… what? It almost seems as if THR thinks by linking Miller’s brushes with the law, we have an answer to the continuing box office woes of the “Fantastic Beasts” franchise. THR writer Jordan Moreau penned this breathless recap on Miller’s current narrative of lawbreaking and physical attacks, but that paragraph may not have been his choice, rather, an editor pulling at threads for reader interest.

We can surmise that two sides to the story exist, and as long as Miller continues to remain silent, editors, writers, and readers alike remain in the dark. As they all should, to be frank. Miller’s journey of late is a cry for help, so who are we to judge or snark about it in print?

This era of yellow-adjacent journalism continues to bring down a craft that is in sore need of a cultural, spiritual, and moral enema.

Piers Morgan: “Say Hi to Your Lying, Cheating, Family for Me”

Motormouthed TV Presenter Piers Morgan. Photo: REUTERS/Toby Melville


Self-aggrandizing media whore Piers Morgan is getting some mileage by his none-too-surprising revelation that First Grifter Daughter Ivanka Trump reached out with a nice text. Mind you, Morgan has a new talk show surfacing soon, so consider that little news drop a call to arms for his rabid fanbase of MAGA and other malcontents with no soul.

Deadline reported that Morgan “received a text of congratulations from the former president’s daughter when he got his new job with TalkTV, the brand new television channel of Rupert Murdoch’s News UK.”

Morgan’s response to La Ivanka? “Best to all the family.”

Yuk yuk. Morgan and Trump famously fell out in 2020 when the headline-chasing “journalist” declared that “Trump’s policies were ‘stupid, reckless and dangerous’ with the disgraced and impeached 45 unfollowing Morgan on Twitter.

Oh, the horror.

La Trump fille added to her text, “Actually, I’m with Dad and Jared now.” To which Morgan offered, “Well, tell your dad’ – I thought I’ll be careful about how I phrase this – ‘tell your dad I almost miss him.” These paragons of entitled white rage then shared a laugh.

This is from the man who recently compared himself to Nelson Mandela. Hit the link below, if you dare.

She laughed.”

“A Farce”: Piers Morgan Compares Himself To Nelson Mandela, Complains Of Being Censored In “Wrong Call By ITV”

At one point to we stop this side-show of soulless, manipulative rabble-rousers hellbent on destroying what little integrity is left in the great craft of journalism? This whorehouse of narcissists putting their hatred on blast is shredding whatever dignity we have as a society.

Woe are we still in 2022.

DeSantis Says Disney “Crossed A Line” In Opposing ‘Don’t Say Gay’ Bill – Deadline

Ron DeSantis Says Disney “Crossed A Line” In Opposing Florida’s ‘Don’t Say Gay’ Bill; Claims Company Never Called Legislative Leader About Bill – Update
— Read on deadline.com/2022/03/florida-dont-say-gay-walt-disney-1234989289/

File this under STFU, again.

DeSantis only knows how to set up dividing lines, not unifying communities.

Carreón Cinema Club: Betty White

Icon. Pioneer. Betty White remains a golden beacon of life, love, and laughter for the world. I’ll never forget escorting her down the international press line for “Lake Placid” in 1999 while working as a publicist for 20th Century Fox.

Playing raucously against type in the David E. Kelley-penned comedy/horror film proved revealing in many ways. Ms. White was no Rose Nylund or thirsty mantrap Sue Ann Nivens on “The Mary Tyler Moore Show.” She was ALL those people and more in her inimitable way.

After speaking for a few minutes upon our introduction, Ms. White took my arm as if we were good friends as we made our way to the gathered media. Watching and listening to her is a memory I will cherish forever.

Her legacy of work on streaming now is why many of us got through these pandemic times. What an actor of power and humanity. What a life well-lived of philanthropy and goodness. I firmly believe her life lesson is to thank our friends more and offer fewer “F-You’s” to the world. RIP Ms. White, forever our golden soul.

Stephen Sondheim.

Stephen Sondheim transformed our cultural landscape as a composer and lyricist. For many devout followers of musical theater, he remains an icon, a true master of this powerful art form. News of his passing is heartbreaking and devastating, knowing we will never hear a new work of his. Yet, we are empowered and consoled by his legacy, one that will resonate for generations to come. I am not alone in feeling strong emotions today. Mr. Sondheim, thank you, for everything you left us in your work. Rest in power, our forever hero.

www.nytimes.com/2021/11/26/theater/stephen-sondheim-dead.html

Los Angeles County Sheriff Warns Of “Mass Exodus” Of Employees – Deadline

Los Angeles County Sheriff Warns Of “Mass Exodus” Of Employees Because Of Vaccination Mandate
— Read on deadline.com/2021/10/los-angeles-county-sheriff-warns-mass-exodus-employees-vaccination-mandate-1234865499/

To serve and protect HIS own interests makes Alex Villanueva more dangerous than COVID. If these officers refuse to work, that’s on them. The public’s health is being threatened, which is an even bigger safety issue.

Villanueva is crafting a political future on the backs of his officers. Los Angeles doesn’t need a machista blowhard who dares to MAGA his way to the job of mayor and beyond.

‘Rust’ Assistant Director Fired From Previous Film After Prop Gun Discharge – The Hollywood Reporter

After the incident on the 2019 set of ‘Freedom’s Path,’ ‘Rust’ assistant director Dave Halls “was removed from set,” says a producer.
— Read on www.hollywoodreporter.com/movies/movie-news/rust-assistant-director-fired-previous-film-prop-gun-discharge-1235036706/

How is it people who are fired in Hollywood for potentially or absolutely harmful acts still make their way forward onto other jobs? This goes way beyond “accident.” It reveals the inherent problem in many industries that refuse to follow checks and balances, as well as take in the accountability in the protection of their teams.

Dean Cain Slams Superman Coming Out as Bisexual – The Hollywood Reporter

Former Superman actor Dean Cain criticized DC Comics storyline following Clark Kent’s son who has come out as bisexual.
— Read on www.hollywoodreporter.com/news/general-news/dean-cain-superman-bisexual-1235030248/

Someone tell Dean Cain to sit down before he hurts himself? He’s not the keep of the Superman legacy. Art should reflect the times and DC Comics is not “bandwagoning,” rather, it reflects its true readership. It is not in the business of appearing C-listers clamoring for air time.

Celebrating 20+ years of The Jorge Show

Celebrating 20+ years of The Jorge Show

In 1998, the great Hilary Clark encouraged me to step into the role of content producer/interviewer. To be honest, it felt more like a dare. I thought our publicity content was rather dated at the time, colorless and flavorless. This was during my tenure as a studio publicist at 20th Century Fox under her invaluable guidance. I took her up on the challenge, hired a crew and went to the Virgin Megastore on Sunset Blvd. to interview composer Mark Snow and television icon Chris Carter about their collaboration for “The X-Files” movie soundtrack. I never looked back. By 1999, I was responsible for the writing, producing, and interviewing of all content created by Fox International Theatrical Publicity. It was an unusual role as most publicity departments didn’t handle this task. They’d hire an agency and that was it. No, this enterprise was the result of vision and it changed my life in the process.

Much has changed over the last two decades, especially in this industry.  I’ve changed, too.  I used to be caught up in the false notion that I had to be a James Lipton-type. When I finally found my true voice, it was as natural as just saying, “Hi, I’m Jorge.” No adornment or overstating things, just simplicity and honesty. I gush, sure. I’m first and foremost a fanboy for all things motion picture. I was also raised on Regis Philbin, Merv Griffin, and Mike Douglas. I was also nurtured by Linda Ellerbee, Diane Sawyer, and especially, Charles Kuralt. It is a winning combination, where I end up getting hugs more often than annoyance or indifference from the people I interview. I take great pride in that ability.

IMG_5928Sure, I still make the mistake of giving a person the answer in my question. It is true, I never really mean, “Last question.” And, I can’t do a 20-minute BTS interview, not really. It usually ends up going over 40 minutes or more. In fact, the fearless crew on my recent project in New York coined the phrase, “The Jorge 20.”  (I’m not offended, I swear.) Even this posting was just supposed to be a “Happy Anniversary” Instagram moment! But nooooo, I had to write a novel about “What it all means!”

I don’t always think I’m the best person for EPK because I have “big emotions” that fight against the rule of this job, which is not being visible. I’m not sitting at video village trying to butter up film producers for that next gig. Yet, I know I am visible when I sit in the chair and begin that next interview.

As BTS producers, we have 30 seconds to let talent know we’re not going to be looking for a “gotcha” moment or engage in any of the other bad behaviors that have been unceremoniously attached to this role. No one likes facing someone who just reads questions off a page. It also enrages me how still others make this process about themselves and NOT the movie or television show. The flip side is no better, where it is obvious the client or studio executives could care less about nuance and humanity. Their only focus is making sure we hit what’s been listed on a marketing brief or remain oblivious to interview at and keep their eyes on the ticking of an iPhone stopwatch.

Still, during these last 20 years, I’ve achieved more than even I imagined in this role. I continue to roam this country and world in search of stories that complement the profiles of some of the best and not-so-best films and TV series. The artists and cultural figures I’ve had the privilege to sit and interview over the years are as diverse and fascinating as I’d hoped, even surprising, too. My journeys have not just been about chatting with actors and filmmakers, either. Nobel Prize winners, best selling authors, pop stars, families seeking asylum, entrepreneurs, and public figures venturing into a different spotlight are all part of this story. Y ahora la narrativa también se cuenta en español.

IMG_5927Red carpets, rooms built out of black duvetyne, junkets at five-star hotel suites on several continents, storerooms, warehouses, falling lights, hurricane-induced blackouts on set, museum offices, desert gateways, hutongs, a Mexican prison with Mel Gibson, legendary and still vital film festivals, jungle spa retreats, jazz festivals, screaming fans, stern publicists pointing at a watch, colleagues bitching over why I have more time, planes, train rides, bus rides, a police ride-along with an armed consultant, noisy soundmen, diva DoP’s, recording studios, snowy man-made villages, busy city streets, country backroads, and everything in between. It’s been the good, the bad, the ugly, and the redemptive. As for my collaborators? They’ve been or become great friends, war buddies, some frenemies, but the numbers of role models, muses, and mentors are greater. Oh, the madness of this town defies anything you think you know or read. You cannot be part of this circus without having some sort of tale to tell.

I always wanted my own talk show and in many ways, this is like having one without people knowing who I am.  (Although that dream still lingers.) What still excites me is knowing when I’ve connected with someone and they reveal more than just “the perfect soundbite.” It is when real emotion is present, whether laughter or tears, that I find the ability to want to keep doing this job. These moments of revealed humanity give me hope that we are all not living just for “the show.” These connections DO matter in this job, no matter how we continue to water down all the messages into a square box for 60 seconds or less.

IMG_5929

Being a storyteller has been my goal since childhood. I’ve been bouncing back and forth between writing and producing for most of my adult life. It is rather telling that I am now grappling with the effects of a changing media landscape, which has even impacted the entire BTS/EPK medium. In this era of influencers and similar constructs, I worry about my true fate. Ageism is rampant everywhere. I went from Young Turk to Establishment in the blink of an eye. Maturity and experience are viewed by too many people in this industry as being expensive and even irrelevant. It strikes real fear in my heart some days. I do take great pride in knowing what looks and sounds real, though, and I know how to make people not fear the question or the conversation. It doesn’t matter if it’s in English or Spanish, either. It all has to count for something, even in a world where people think “fake news” is a real construct.

When I was recently sent the lead photo of this piece by Dave Nolte of Scratch Creative from a marketing shoot completed last June, I was at a low point. Losing Dad to Alzheimer’s in late February of this year left such a void in my life. I also found myself possessing a need for a second act. I felt so guilty and scared about this, which I’ve coupled with the tangible doubt as to whether I even want to continue this journey as a producer/interviewer. Then I saw the photo Dave sent me and I was instantly reminded of what I am capable of in this world.

Stories need telling by people who truly give a shit about an impactful and engaging narrative. Spin is not enough for some of us, nor is passing off HDR images and excessive font overlays as the “story.” The cynicism of thinking the audience doesn’t care is bullshit. We are in part responsible for feeding them this steady diet of lowest common denominator content instead of elevating them with material that nurtures the ability to pay attention and think!

IMG_5924I was taught and mentored by some amazing people to be a rebel in this town until the end, dammit. I am not the product of Affirmative Action or quotas. No one felt sorry for this gay Latino from Pico Rivera and said, “Aw, let’s give him a chance.” I didn’t complete my journalism degree, nor am I the most technically-savvy producer in the game. To be clear, I am here because I worked like hell to be in the room, even making some compromises that make me wince today. Dad always said the worst thing you can hear is “No.” I heard the negative and other choice words that did little to stop my trajectory.

The people that were a major part of my Hollywood career are no longer part of this industry or are facing an uncertain future, too. “The Jorge Show,” as I call it, has been a shared adventure. Period. I didn’t achieve this life alone. I carry their influence and teachings with me on every project, every interview. As long as people are willing to sit with me without reservation or fear, they will discover that they are in good hands and in the presence of a good heart.

And, yes, I’ll keep getting their attention first by sporting a great pair of shoes.

Here’s to 20 more years of “The Jorge Show” and conversations to remember.

**One of my most treasured moments, meeting Mexican icon Verónica Castro and the incomparable director/writer Manolo Caro for the Netflix series, “La Casa de las Flores” (House of Flowers). This was a true full-circle moment to treasure, the bridging of my American and Mexican selves as a content producer. Gracias a Netflix y Hari Sinn y su equipo por realizar este sueño.